By Koraljka Suton Look! It’s moving. It’s alive. It’s alive… It’s alive, it’s moving, it’s alive, it’s alive, it’s alive, it’s alive, IT’S ALIVE!…
By Tim Pelan I just watched ‘Mad Max: Fury Road’ again last week, and I tell you I couldn’t direct 30 seconds of that….
By Travis Woods A rotating wire bookrack stands in a shaded corner of the used bookshop, its metal sleeves packed tight with yellowed, spine-split paperbacks….
By Tim Pelan You pay me to go get guys like Wigand, to draw him out. To get him to trust us, to get…
By Tim Pelan Few films permeate the gestalt consciousness like Star Wars (“I am your father”, “Use the Force” and so on) but in…
By Tim Pelan In the mid-1960s, director Robert Aldrich was coming up for air after the thick stew melodramas of Hush…Hush, Sweet Charlotte, and…
By Tim Pelan In October 2005, shortly after his groundbreaking and seemingly stand-alone Batman Begins was completed, writer/director/producer Christopher Nolan ruminated. “You know, I…
By Tim Pelan Scorsese’s Raging Bull is not your dad’s boxing movie. It’s certainly not a story of conventional redemption or hope overcoming the…
By Tim Pelan Screenwriter David Mamet came up with a Stanislavski quote to describe The Untouchables: “Tragedy is just heightened melodrama.” Brian De Palma,…
By Koraljka Suton When acclaimed French New Wave director Louis Malle was approached by producer Alexandre Mnouchkine with the idea for a Canadian production…