Cinematography, Documentary, Editing, Filmmaking, Interview ‘The Hill’: Sean Connery’s Sisyphean Bond Break-Out
Cinematography, Documentary, Filmmaking, Interview, Screenwriting We Can Mis-Remember it 80s-Style: ‘Total Recall’ (1990) Was the Last Gasp 80s Ultraviolent Action Extravaganza for a New Decade
Cinematography, Filmmaking, Interview, Screenwriting, Screenwriting 101 Peter Weir’s ‘Dead Poets Society’: An Awe-Inspiring Celebration of the Human Spirit
Cinematography, Documentary, Editing, Filmmaking, Interview, Screenwriting 101 ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
Cinematography, Documentary, Filmmaking, Screenwriting, Screenwriting 101 ‘The Fisher King’: Terry Gilliam’s Touching Film About Grief, Trauma and Hope
Cinematography, Documentary, Filmmaking, Interview, Screenwriting, Screenwriting 101 ‘The Driver’: Walter Hill Behind the Wheel of a Glorious Experiment
Cinematography, Documentary, Filmmaking, Screenwriting, Screenwriting 101 Exposing Femicide in Iran: Cyrus Nowrasteh’s ‘The Stoning of Soraya M.’
Cinematography, Documentary, Filmmaking, Screenwriting, Screenwriting 101 James Mangold’s ‘Identity’: The Devil in the Details
Cinematography, Editing, Filmmaking, Screenwriting, Screenwriting 101 ‘I Wish I Knew How to Quit You’: Ang Lee’s Deeply Tragic ‘Brokeback Mountain’ Smolders with Slow-Burning Despair
Cinematography, Documentary, Filmmaking, Interview, Screenwriting, Screenwriting 101 Filming the Unfilmable and Achieving the Unimaginable: How Kubrick’s ‘Lolita’ Eventually Won Critics Over and Established Itself as an Acclaimed Sardonic Black Comedy