‘All the President’s Men’ at 50: Following the Money to Become One of the Most Remarkable American Films to Date ‘All the President’s Men’ at 50: Following the Money to Become One of the Most Remarkable American Films to Date Read an article »
‘Thief’ at 45: How Michael Mann’s Cinema Debut Stole the World’s Attention ‘Thief’ at 45: How Michael Mann’s Cinema Debut Stole the World’s Attention Read an article »
John Ford’s ‘The Searchers’ at 70: The Essential Film of American Culture and Identity John Ford’s ‘The Searchers’ at 70: The Essential Film of American Culture and Identity Read an article »
‘The Killing of a Chinese Bookie’: Turning Entertainment into Personal Statement—Revisiting a Masterpiece on Its 50th Anniversary ‘The Killing of a Chinese Bookie’: Turning Entertainment into Personal Statement—Revisiting a Masterpiece on Its 50th Anniversary Read an article »
Approaching Menace: The American Pathology of Martin Scorsese’s ‘Taxi Driver’—Revisiting a Masterpiece on Its 50th Anniversary Approaching Menace: The American Pathology of Martin Scorsese’s ‘Taxi Driver’—Revisiting a Masterpiece on Its 50th Anniversary Read an article »
‘I Am Insane, and You Are My Insanity’: Celebrating the 30th Anniversary of Terry Gilliam’s Captivating World of ‘12 Monkeys’ ‘I Am Insane, and You Are My Insanity’: Celebrating the 30th Anniversary of Terry Gilliam’s Captivating World of ‘12 Monkeys’ Read an article »
Rats in the Attic: William Friedkin’s ‘The Exorcist’—Revisiting a Masterpiece on its 52nd Anniversary Rats in the Attic: William Friedkin’s ‘The Exorcist’—Revisiting a Masterpiece on its 52nd Anniversary Read an article »
‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core Read an article »
With ‘Barry Lyndon,’ Stanley Kubrick’s Painterly Eye Invites Us to Be All-seeing, but Ultimately, Unknowing—Revisiting a Masterpiece on Its 50th Anniversary With ‘Barry Lyndon,’ Stanley Kubrick’s Painterly Eye Invites Us to Be All-seeing, but Ultimately, Unknowing—Revisiting a Masterpiece on Its 50th Anniversary Read an article »
Empire’s End: John Huston’s ‘The Man Who Would Be King’—Revisiting a Masterpiece on Its 50th Anniversary Empire’s End: John Huston’s ‘The Man Who Would Be King’—Revisiting a Masterpiece on Its 50th Anniversary Read an article »
