Filmmaking

Cinematography, Documentary, Filmmaking, Screenwriting, Screenwriting 101

Martin Scorsese’s Encounter with Kafka During ‘After Hours’

Cinematography, Documentary, Filmmaking, Screenwriting, Screenwriting 101

‘I Am Insane, and You Are My Insanity’: The Captivating World of Terry Gilliam’s ’12 Monkeys’

Cinematography, Documentary, Filmmaking, Screenwriting, Screenwriting 101

The Artistic Triumph of Sir Alan Parker’s Still Beating ‘Angel Heart’

Cinematography, Documentary, Editing, Filmmaking, Screenwriting, Screenwriting 101

Scorsese’s Sexless Period Drama ‘The Age of Innocence’ as a Visceral Depiction of Emotional Starvation and Internalized Violence

Cinematography, Documentary, Editing, Filmmaking, Screenwriting, Screenwriting 101

Neil Marshall’s ‘The Descent’: Humans Are the Scariest Things

Cinematography, Documentary, Filmmaking, Screenwriting, Screenwriting 101

‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy

Cinematography, Documentary, Filmmaking, Screenwriting

Gotham by Elektrisches Licht: Fritz Lang’s ‘Metropolis’

Cinematography, Editing, Filmmaking, Interview, Screenwriting, Screenwriting 101

Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’

Documentary, Filmmaking, Interview

‘The Life and Times of Don Luis Buñuel’: The Perfect Window into the Mind of a Groundbreaking Artist

Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101

How Robert Altman’s Anti-Western Classic ‘McCabe & Mrs. Miller’ Aged Like Fine Wine

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