William Friedkin’s ‘The French Connection’ at 54: The Seventies’ Peak of Cinematic Excitement William Friedkin’s ‘The French Connection’ at 54: The Seventies’ Peak of Cinematic Excitement Read an article »
“Bide Your Time and Everything Becomes Clear”: The Construction of Memory in Soderbergh’s ‘The Limey’ “Bide Your Time and Everything Becomes Clear”: The Construction of Memory in Soderbergh’s ‘The Limey’ Read an article »
‘Gravity’ at 12: The Pain of Isolation and the Importance of Connection in the Face of Adversity ‘Gravity’ at 12: The Pain of Isolation and the Importance of Connection in the Face of Adversity Read an article »
‘A History of Violence’ at 20: David Cronenberg’s Superb Study of the Basic Impulses that Drive Humanity ‘A History of Violence’ at 20: David Cronenberg’s Superb Study of the Basic Impulses that Drive Humanity Read an article »
‘L’Avventura’ at 65: Michelangelo Antonioni’s Visual Poetry and Its Impact on the World of Film ‘L’Avventura’ at 65: Michelangelo Antonioni’s Visual Poetry and Its Impact on the World of Film Read an article »
‘After Hours’ at 40: Celebrating Scorsese’s Kafka-Inspired New York Odyssey ‘After Hours’ at 40: Celebrating Scorsese’s Kafka-Inspired New York Odyssey Read an article »
‘Saving Private Ryan’: Spielberg’s Groundbreaking WWII Gem That Redefined the War Film Genre ‘Saving Private Ryan’: Spielberg’s Groundbreaking WWII Gem That Redefined the War Film Genre Read an article »
‘Pulp Fiction’: How Quentin Tarantino Made a Postmodern Masterpiece ‘Pulp Fiction’: How Quentin Tarantino Made a Postmodern Masterpiece Read an article »
‘The Last Temptation of Christ’ As a Testament to and an Exploration of Scorsese’s Own Faith ‘The Last Temptation of Christ’ As a Testament to and an Exploration of Scorsese’s Own Faith Read an article »
‘American Graffiti’ at 52: A Sentimentally Affectionate Look at America Before the Collective Loss of Innocence ‘American Graffiti’ at 52: A Sentimentally Affectionate Look at America Before the Collective Loss of Innocence Read an article »
