Cinematography, Documentary, Filmmaking, Screenwriting, Screenwriting 101 The Artistic Triumph of Sir Alan Parker’s Still Beating ‘Angel Heart’
Cinematography, Documentary, Editing, Filmmaking, Screenwriting, Screenwriting 101 Scorsese’s Sexless Period Drama ‘The Age of Innocence’ as a Visceral Depiction of Emotional Starvation and Internalized Violence
Cinematography, Documentary, Editing, Filmmaking, Screenwriting, Screenwriting 101 Neil Marshall’s ‘The Descent’: Humans Are the Scariest Things
Cinematography, Documentary, Filmmaking, Screenwriting, Screenwriting 101 ‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy
Cinematography, Documentary, Filmmaking, Screenwriting Gotham by Elektrisches Licht: Fritz Lang’s ‘Metropolis’
Documentary, Filmmaking, Interview ‘The Life and Times of Don Luis Buñuel’: The Perfect Window into the Mind of a Groundbreaking Artist
Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101 How Robert Altman’s Anti-Western Classic ‘McCabe & Mrs. Miller’ Aged Like Fine Wine
Cinematography, Documentary, Filmmaking, Screenwriting, Screenwriting 101 Hitchcock’s ‘Vertigo’: The Unrelenting Male Gaze that Blurs the Lines Between Possession and Obsession
Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101 ‘The Verdict’: Sidney Lumet and David Mamet’s Masterpiece as a Blend of a Courtroom Drama and a Personal Redemption Story
Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101 ‘Point Blank’: John Boorman’s Amalgamation of American, British and French Filmmaking Styles