Cinematography, Editing, Filmmaking, Interview, Screenwriting 101 “Bide Your Time and Everything Becomes Clear”: The Construction of Memory in Soderbergh’s ‘The Limey’
Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101 ‘Annie Hall’: One of the Last Beautiful American Films of the Pre-Blockbuster Era
Cinematography, Documentary, Filmmaking, Screenwriting ‘Ernst Lubitsch and the Comedy of the Thirties’: One More Hidden Chest in the Mise-en-Scène Magazine’s Treasure Trove
Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101 ‘Fargo’: The Unforgettable Dark Comedy that Set the Coen Brothers Up as a Recognizable Voice in American Cinema
Cinematography, Filmmaking, Screenwriting John Huston and Humphrey Bogart: The Mise-en-Scène Magazine’s Exploration of the Legendary Director-Actor Partnership
Cinematography, Filmmaking, Interview, Screenwriting 101 ‘There Will Be Blood’: Paul Thomas Anderson’s Epic Take on American Identity with Day-Lewis’ Performance of a Lifetime
Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101 ‘8½’: Federico Fellini’s Daring, Self-Reflexive Masterpiece as a Most Intimate Exploration of Cinema
Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101 ‘Persona’: Ingmar Bergman’s Psychological Masterpiece as the White Whale of Critical Analysis
Cinematography, Filmmaking, Interview, Screenwriting 101 ‘Children of Men’: Alfonso Cuarón’s Bleak but Genius Vision of the Past, Present and the Future
Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101 ‘The Long Goodbye’: Robert Altman and Leigh Brackett’s Unique and Fascinating Take on Chandler and Film Noir