‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy ‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy Read an article »
Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’ Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’ Read an article »
‘The Verdict’: Sidney Lumet and David Mamet’s Masterpiece as a Blend of a Courtroom Drama and a Personal Redemption Story ‘The Verdict’: Sidney Lumet and David Mamet’s Masterpiece as a Blend of a Courtroom Drama and a Personal Redemption Story Read an article »
‘Point Blank’: John Boorman’s Amalgamation of American, British and French Filmmaking Styles ‘Point Blank’: John Boorman’s Amalgamation of American, British and French Filmmaking Styles Read an article »
How ‘Once Upon a Time in America’ Became Sergio Leone’s Butchered Swan Song How ‘Once Upon a Time in America’ Became Sergio Leone’s Butchered Swan Song Read an article »
Rats In the Attic: William Friedkin’s ‘The Exorcist’ Rats In the Attic: William Friedkin’s ‘The Exorcist’ Read an article »
The Future is Now: Alfonso Cuarón’s ‘Children of Men’ Paints a Bleak Picture of a World Devoid of Humanity The Future is Now: Alfonso Cuarón’s ‘Children of Men’ Paints a Bleak Picture of a World Devoid of Humanity Read an article »
The immortal ‘Casablanca’: Why the Old Hollywood’s Everlasting Masterpiece Is Still Beloved The immortal ‘Casablanca’: Why the Old Hollywood’s Everlasting Masterpiece Is Still Beloved Read an article »
‘Out of the Past’: The Quintessential Film Noir that Launched Robert Mitchum and Kirk Douglas’ Careers ‘Out of the Past’: The Quintessential Film Noir that Launched Robert Mitchum and Kirk Douglas’ Careers Read an article »
And Unto Dust We Shall Return: On Martin Scorsese’s ‘The Irishman’ And Unto Dust We Shall Return: On Martin Scorsese’s ‘The Irishman’ Read an article »
