‘Point Blank’: John Boorman’s Amalgamation of American, British and French Filmmaking Styles ‘Point Blank’: John Boorman’s Amalgamation of American, British and French Filmmaking Styles Read an article »
How ‘Once Upon a Time in America’ Became Sergio Leone’s Butchered Swan Song How ‘Once Upon a Time in America’ Became Sergio Leone’s Butchered Swan Song Read an article »
Rats In the Attic: William Friedkin’s ‘The Exorcist’ Rats In the Attic: William Friedkin’s ‘The Exorcist’ Read an article »
The Future is Now: Alfonso Cuarón’s ‘Children of Men’ Paints a Bleak Picture of a World Devoid of Humanity The Future is Now: Alfonso Cuarón’s ‘Children of Men’ Paints a Bleak Picture of a World Devoid of Humanity Read an article »
The immortal ‘Casablanca’: Why the Old Hollywood’s Everlasting Masterpiece Is Still Beloved The immortal ‘Casablanca’: Why the Old Hollywood’s Everlasting Masterpiece Is Still Beloved Read an article »
‘Out of the Past’: The Quintessential Film Noir that Launched Robert Mitchum and Kirk Douglas’ Careers ‘Out of the Past’: The Quintessential Film Noir that Launched Robert Mitchum and Kirk Douglas’ Careers Read an article »
And Unto Dust We Shall Return: On Martin Scorsese’s ‘The Irishman’ And Unto Dust We Shall Return: On Martin Scorsese’s ‘The Irishman’ Read an article »
‘Blow-Up’: The Importance and Influence of Michelangelo Antonioni’s Stylish, Thought-Provoking Mystery ‘Blow-Up’: The Importance and Influence of Michelangelo Antonioni’s Stylish, Thought-Provoking Mystery Read an article »
‘Walk the Line’: How James Mangold Uncovered the Emotional History of Johnny Cash ‘Walk the Line’: How James Mangold Uncovered the Emotional History of Johnny Cash Read an article »
Subject to the Requirements of the Service: Peter Weir’s ‘Master and Commander: The Far Side of the World’ Subject to the Requirements of the Service: Peter Weir’s ‘Master and Commander: The Far Side of the World’ Read an article »