‘DOES THIS LOOK LIKE A SICK MAN TO YOU?’: The Horror of Identity and the Identity of Horror in David Cronenberg’s ‘The Fly’ ‘DOES THIS LOOK LIKE A SICK MAN TO YOU?’: The Horror of Identity and the Identity of Horror in David Cronenberg’s ‘The Fly’ Read an article »
‘Charley Varrick’ (1973): Don Siegel’s Masterclass in Seamless Storytelling ‘Charley Varrick’ (1973): Don Siegel’s Masterclass in Seamless Storytelling Read an article »
40 Years of Hurt, Face-Hugging Dreams of Breathing: Ridley Scott’s ‘Alien’ 40 Years of Hurt, Face-Hugging Dreams of Breathing: Ridley Scott’s ‘Alien’ Read an article »
To the Wonder: The Lyrical Appeal and Influence of Richard Donner’s ‘Superman’ To the Wonder: The Lyrical Appeal and Influence of Richard Donner’s ‘Superman’ Read an article »
Michael Chapman: Cinematographers, in the Traditional Sense, Are a Dying Breed Michael Chapman: Cinematographers, in the Traditional Sense, Are a Dying Breed Read an article »
‘Miller’s Crossing’ at 35: A Lamentation of Losers by the Coen Brothers ‘Miller’s Crossing’ at 35: A Lamentation of Losers by the Coen Brothers Read an article »
‘Goodfellas’ at 35: Martin Scorsese’s Anthropological Goodlife Through a Lens ‘Goodfellas’ at 35: Martin Scorsese’s Anthropological Goodlife Through a Lens Read an article »
‘JFK’: Oliver Stone’s Emotionally Accurate and Masterfully Crafted Trip Down the Rabbit Hole ‘JFK’: Oliver Stone’s Emotionally Accurate and Masterfully Crafted Trip Down the Rabbit Hole Read an article »
Gang Wars, the Prohibition Menace: Brian De Palma’s ‘The Untouchables’ Gang Wars, the Prohibition Menace: Brian De Palma’s ‘The Untouchables’ Read an article »
Paul Thomas Anderson’s ‘Hard Eight’, AKA ‘Sydney’: “It’s Always Good to Meet a New Friend” Paul Thomas Anderson’s ‘Hard Eight’, AKA ‘Sydney’: “It’s Always Good to Meet a New Friend” Read an article »
