William Friedkin

To Live and Die for Authenticity: How Friedkin Made One of the Best Films of the Eighties

Cinematography, Documentary, Filmmaking, Screenwriting, Screenwriting 101

To Live and Die for Authenticity: How Friedkin Made One of the Best Films of the Eighties

Rats In the Attic: William Friedkin’s ‘The Exorcist’

Cinematography, Documentary, Filmmaking, Screenwriting 101

Rats In the Attic: William Friedkin’s ‘The Exorcist’

“No One Is Just Anything”: In William Friedkin’s ‘Sorcerer’, Four Reduced Men Must Gamble with Life to Give It Value

Cinematography, Filmmaking, Interview, Screenwriting, Screenwriting 101

“No One Is Just Anything”: In William Friedkin’s ‘Sorcerer’, Four Reduced Men Must Gamble with Life to Give It Value

Cinematography, Filmmaking, Interview, Screenwriting 101

William Friedkin’s ‘Sorcerer’: Cautionary Tales Have Rarely Taken Such an Amazing Artistic Form

Cinematography, Filmmaking, Interview, Screenwriting 101

‘To Live and Die in L.A.’: The Intelligent, Authentic Thriller as One of the Highlights of Friedkin’s Career

Filmmaking, Interview

A Discussion with William Friedkin: ‘I See a Diminishing of All Art Forms These Days’

Cinematography, Documentary, Filmmaking, Screenwriting 101

William Friedkin’s ‘The Exorcist’: The Most Terrifying Film We Ever Laid Eyes On

William Friedkin’s ‘The French Connection’: The Seventies’ Peak of Cinematic Excitement

Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101

William Friedkin’s ‘The French Connection’: The Seventies’ Peak of Cinematic Excitement