To Live and Die for Authenticity: How Friedkin Made One of the Best Films of the Eighties To Live and Die for Authenticity: How Friedkin Made One of the Best Films of the Eighties Read an article »
Rats In the Attic: William Friedkin’s ‘The Exorcist’ Rats In the Attic: William Friedkin’s ‘The Exorcist’ Read an article »
“No One Is Just Anything”: In William Friedkin’s ‘Sorcerer’, Four Reduced Men Must Gamble with Life to Give It Value “No One Is Just Anything”: In William Friedkin’s ‘Sorcerer’, Four Reduced Men Must Gamble with Life to Give It Value Read an article »
William Friedkin’s ‘Sorcerer’: Cautionary Tales Have Rarely Taken Such an Amazing Artistic Form William Friedkin’s ‘Sorcerer’: Cautionary Tales Have Rarely Taken Such an Amazing Artistic Form Read an article »
‘To Live and Die in L.A.’: The Intelligent, Authentic Thriller as One of the Highlights of Friedkin’s Career ‘To Live and Die in L.A.’: The Intelligent, Authentic Thriller as One of the Highlights of Friedkin’s Career Read an article »
A Discussion with William Friedkin: ‘I See a Diminishing of All Art Forms These Days’ A Discussion with William Friedkin: ‘I See a Diminishing of All Art Forms These Days’ Read an article »
William Friedkin’s ‘The Exorcist’: The Most Terrifying Film We Ever Laid Eyes On William Friedkin’s ‘The Exorcist’: The Most Terrifying Film We Ever Laid Eyes On Read an article »
William Friedkin’s ‘The French Connection’: The Seventies’ Peak of Cinematic Excitement William Friedkin’s ‘The French Connection’: The Seventies’ Peak of Cinematic Excitement Read an article »
