Sven Mikulec

To Live and Die for Authenticity: How Friedkin Made One of the Best Films of the Eighties

Neil Marshall’s ‘Dog Soldiers’: A Force to Be Reckoned With

It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’

‘I Am Insane, and You Are My Insanity’: The Captivating World of Terry Gilliam’s ’12 Monkeys’
The Artistic Triumph of Sir Alan Parker’s Still Beating ‘Angel Heart’
Neil Marshall’s ‘The Descent’: Humans Are the Scariest Things

Cleansing of the Soul for a Clean Slate: Guillermo del Toro’s ‘The Devil’s Backbone’

‘The Last of the Mohicans’: Michael Mann’s Riveting Love Story as the Formation of American Identity
