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John Toll: ‘There’s No Difference Between Feature Films and TV Shows—It’s All Filmmaking to Me’ John Toll: ‘There’s No Difference Between Feature Films and TV Shows—It’s All Filmmaking to Me’ Read an article »
Lives On the Line: The Grubby Politics of Paul Schrader’s ‘Blue Collar’ Lives On the Line: The Grubby Politics of Paul Schrader’s ‘Blue Collar’ Read an article »
‘Be Inspired to Try Things, Miracles Happen When Someone Takes a Chance’: A Conversation with James Mangold ‘Be Inspired to Try Things, Miracles Happen When Someone Takes a Chance’: A Conversation with James Mangold Read an article »
Paul Hirsch on ‘Star Wars’: Thinking We Were Making a Film for Kids, We Made a Film for the Kid in All of Us Paul Hirsch on ‘Star Wars’: Thinking We Were Making a Film for Kids, We Made a Film for the Kid in All of Us Read an article »
‘Hi-Glow Retro’: Alex Morsanutto’s Bullet-Proof Ticket to Feature Filmmaking ‘Hi-Glow Retro’: Alex Morsanutto’s Bullet-Proof Ticket to Feature Filmmaking Read an article »
‘The Last of the Mohicans’: Michael Mann’s Riveting Love Story as the Formation of American Identity ‘The Last of the Mohicans’: Michael Mann’s Riveting Love Story as the Formation of American Identity Read an article »
Intention Is Everything: Christopher McQuarrie’s ‘The Way of the Gun’ Intention Is Everything: Christopher McQuarrie’s ‘The Way of the Gun’ Read an article »
Warren Beatty’s ‘Reds’: ‘A Long, Long Movie About a Communist Who Died’ Warren Beatty’s ‘Reds’: ‘A Long, Long Movie About a Communist Who Died’ Read an article »
Jeeps in the Orchard: The Logistical “Laters” of Attenborough’s ‘A Bridge Too Far’ Jeeps in the Orchard: The Logistical “Laters” of Attenborough’s ‘A Bridge Too Far’ Read an article »