Paul Thomas Anderson’s ‘Hard Eight’, AKA ‘Sydney’: “It’s Always Good to Meet a New Friend” Paul Thomas Anderson’s ‘Hard Eight’, AKA ‘Sydney’: “It’s Always Good to Meet a New Friend” Read an article »
Lived All Our Best Times Left With the Worst: Christopher Nolan’s ‘Memento’ Lived All Our Best Times Left With the Worst: Christopher Nolan’s ‘Memento’ Read an article »
“No One Is Just Anything”: In William Friedkin’s ‘Sorcerer’, Four Reduced Men Must Gamble with Life to Give It Value “No One Is Just Anything”: In William Friedkin’s ‘Sorcerer’, Four Reduced Men Must Gamble with Life to Give It Value Read an article »
Fincher’s ‘Zodiac’: A Suspenseful and Thrilling Combination of Police Procedural and Newspaper Film That Masterfully Chronicles the Progression of Obsession Fincher’s ‘Zodiac’: A Suspenseful and Thrilling Combination of Police Procedural and Newspaper Film That Masterfully Chronicles the Progression of Obsession Read an article »
Carol Reed’s ‘Odd Man Out’—Too Long In ‘The Third Man’s Shadow? Carol Reed’s ‘Odd Man Out’—Too Long In ‘The Third Man’s Shadow? Read an article »
Sir Alan Parker: A European Sensibility among American Studio Sharks Sir Alan Parker: A European Sensibility among American Studio Sharks Read an article »
New Model Arnie: How James Cameron’s ‘Terminator 2: Judgment Day’ Held True to Its Exploitation Roots Whilst Remodelling the Action Blockbuster Template New Model Arnie: How James Cameron’s ‘Terminator 2: Judgment Day’ Held True to Its Exploitation Roots Whilst Remodelling the Action Blockbuster Template Read an article »
Approaching Menace: The American Pathology of Martin Scorsese’s ‘Taxi Driver’ Approaching Menace: The American Pathology of Martin Scorsese’s ‘Taxi Driver’ Read an article »
‘Stalker’: Andrei Tarkovsky’s Merger of Contemplative Style and Transcendental Substance Designed to Put Us in the Zone ‘Stalker’: Andrei Tarkovsky’s Merger of Contemplative Style and Transcendental Substance Designed to Put Us in the Zone Read an article »
