Cinematography, Filmmaking, Interview, Screenwriting, Screenwriting 101 ‘Walk the Line’: How James Mangold Uncovered the Emotional History of Johnny Cash
Cinematography, Filmmaking, Interview, Screenwriting 101 Subject to the Requirements of the Service: Peter Weir’s ‘Master and Commander: The Far Side of the World’
Cinematography, Filmmaking, Interview, Screenwriting 101 Scorsese On the Ropes: The ‘Kamikaze’ Film-Making of ‘Raging Bull’
Documentary, Filmmaking, Interview, Screenwriting 101 ‘They Live’: John Carpenter’s Brilliantly Simple and Hugely Enjoyable Assault on Reagan’s America
Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101 ‘Paths of Glory’: Stanley Kubrick’s First Step Towards Cinema Immortality
Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101 ‘And the Sea Will Grant Each Man New Hope, As Sleep Brings Dreams of Home’: John McTiernan’s ‘The Hunt for Red October’
Cinematography, Filmmaking, Interview, Screenwriting ‘Atlantic City’: Louis Malle’s Nostalgic Juxtaposition of Deterioration and Renewal
Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101 ‘Close Encounters of the Third Kind’: Steven Spielberg’s Gamble That Paid Off Generously
Cinematography, Filmmaking, Interview, Screenwriting 101 The Greater the Truth, the Greater the Damage: ‘The Insider,’ Michael Mann’s White-Collar Thrill Ride of Corporate Malfeasance
Cinematography, Filmmaking, Interview, Screenwriting 101 ‘A History of Violence’: David Cronenberg’s Superb Study of the Basic Impulses that Drive Humanity