Interview

Moonbase Alpha, Moonbase Beta: Sam Rockwell Is the Secret VFX at the Heart of Duncan Jones’ ‘Moon’

  By Tim Pelan   Ten years ago Duncan Jones' Moon (2009) became the little science fiction film that could,…

5 years ago

‘The Last Temptation of Christ’ As a Testament to and an Exploration of Scorsese’s Own Faith

  By Koraljka Suton Ever since he was a little boy, director Martin Scorsese wanted to make a movie about…

5 years ago

Eros and Thanatos Collide in David Cronenberg’s Id-Driven Adaptation of J.G. Ballard’s ‘Crash’

  By Koraljka Suton   As a young upstart filmmaker I felt that you were not a real filmmaker if…

5 years ago

A Carpenter of Death and His Four Horsemen: Samuel Fuller’s ‘The Big Red One’

  By Tim Pelan   In Hollywood, personal films can often become bloated vanity projects. With Samuel Fuller’s semi-autobiographical WWII…

5 years ago

Fixed Images of Eternity: Time, Perception, & Grief in ‘Don’t Look Now’

  By Jasun Horsley The speaker is Death: There was a merchant in Bagdad who sent his servant to market…

5 years ago

Reclaiming the Lost Art of Melodrama in Sidney Lumet’s Unsung Masterpiece: ‘Before the Devil Knows You’re Dead’

  By Parrish Stikeleather   I sent the script first to Philip, one of the finest actors in the country,…

5 years ago

‘The Past, Present and Future of Humanity’: John Boorman’s ‘Excalibur’

  By Tim Pelan   John Boorman's 1981 fantastical retelling of Thomas Mallory’s Le Morte d’Arthur is, to quote Nicol…

5 years ago