By Theo Zenou This review contains spoilers. The Irishman, Martin Scorsese’s hyped return to the gangster genre, is…
By Sven Mikulec In 1966, the Italian maestro Michelangelo Antonioni, already famous as one of the most prominent European…
By Koraljka Suton He had to find the range of his own creativity, and learn how to control this…
By Tim Pelan Asked by Debbie Lynn Elias of Behind The Lens Online on what compels the director Peter…
By Tim Pelan Scorsese’s Raging Bull is not your dad's boxing movie. It's certainly not a story of conventional…
By Koraljka Suton It could be deemed rather poetic that the origins of two of the most iconic and…
By Sven Mikulec During the 1980s, John Carpenter stumbled upon a comic book based on Ray Nelson’s 1963 short…
By Sven Mikulec There's a picture that will always be good, years from now, the great Kirk Douglas told…
By Tim Pelan There is a long and noble history in Hollywood of submarine war films. The two most…
By Koraljka Suton When acclaimed French New Wave director Louis Malle was approached by producer Alexandre Mnouchkine with the…