Gordon Willis

‘Klute’: Alan J. Pakula and the Lewis Brothers’ Thriller-Disguised Exploration of Human Interactions, Relationships and Psyche

  By Sven Mikulec   Often considered as the first part of the so-called Paranoia Trilogy, alongside subsequent The Parallax…

6 years ago

‘Annie Hall’: One of the Last Beautiful American Films of the Pre-Blockbuster Era

It was April 1978 and a whole gallery of Hollywood stars was seated at the Dorothy Chandler Pavilion in Los…

7 years ago

‘The Parallax View’: Pakula’s Unsettling Examination of the Post-Compliant America

  By Sven Mikulec The seventies were a unique period in the history of the United States, with general dissatisfaction…

8 years ago

‘All the President’s Men’: Following the Money to Become One of the Most Remarkable American Films to Date

  By Sven Mikulec When Robert Redford thought of an idea to make a film about the dogged efforts of…

8 years ago

‘The Godfather’: A Historical Curiosity that Proved Instrumental for Our Filmmaking Education and Appreciation

    By Sven Mikulec It really is to no surprise that Francis Ford Coppola's The Godfather has managed to…

9 years ago

The Willis Frame

Gordon Willis was one of the cinema’s greatest artists. Drawing from over 25 feature films where he served as cinematographer,…

9 years ago

‘Annie Hall’: Practical Therapy

With Annie Hall, Woody Allen made several decisive moves that would change the direction of his career and the craft…

9 years ago

Gordon Willis: An Annotated Webliography

ordon Willis, the legendary cinematographer behind such classic 1970s films as Annie Hall, Klute, The Parallax View, All the President's…

10 years ago