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	<title>Cinephilia &amp; Beyond</title>
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		<title>New Model Arnie: How James Cameron’s ‘Terminator 2: Judgment Day’ Held True to Its Exploitation Roots Whilst Remodelling the Action Blockbuster Template</title>
		<link>https://cinephiliabeyond.org/terminator2/</link>
					<comments>https://cinephiliabeyond.org/terminator2/#respond</comments>
		
		<dc:creator><![CDATA[cinephiliabeyond]]></dc:creator>
		<pubDate>Fri, 03 Jul 2026 12:32:34 +0000</pubDate>
				<category><![CDATA[Cinematography]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Screenwriting]]></category>
		<category><![CDATA[Screenwriting 101]]></category>
		<category><![CDATA[Adam Greenberg]]></category>
		<category><![CDATA[Arnold Schwarzenegger]]></category>
		<category><![CDATA[Edward Furlong]]></category>
		<category><![CDATA[James Cameron]]></category>
		<category><![CDATA[Linda Hamilton]]></category>
		<category><![CDATA[Phillip Norwood]]></category>
		<category><![CDATA[Robert Patrick]]></category>
		<category><![CDATA[Stan Winston]]></category>
		<category><![CDATA[Terminator 2: Judgment Day]]></category>
		<category><![CDATA[Tim Pelan]]></category>
		<category><![CDATA[William Wisher]]></category>
		<guid isPermaLink="false">https://cinephiliabeyond.org/?p=42797</guid>

					<description><![CDATA[<p>Terminator 2: Judgment Day poster art by Tony Stella, https://www.tony-stella.com/ &#160; By Tim Pelan &#160; I&#8217;m not playing it safe [&#8230;]</p>
The post <a href="https://cinephiliabeyond.org/terminator2/">New Model Arnie: How James Cameron’s ‘Terminator 2: Judgment Day’ Held True to Its Exploitation Roots Whilst Remodelling the Action Blockbuster Template</a> appeared first on <a href="https://cinephiliabeyond.org">Cinephilia & Beyond</a>.]]></description>
		
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		<title>How Robert Altman’s Anti-Western Classic ‘McCabe &#038; Mrs. Miller’ Aged Like Fine Wine</title>
		<link>https://cinephiliabeyond.org/mccabe-mrs-miller/</link>
					<comments>https://cinephiliabeyond.org/mccabe-mrs-miller/#comments</comments>
		
		<dc:creator><![CDATA[cinephiliabeyond]]></dc:creator>
		<pubDate>Wed, 24 Jun 2026 09:16:41 +0000</pubDate>
				<category><![CDATA[Cinematography]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Screenwriting 101]]></category>
		<category><![CDATA[Brian McKay]]></category>
		<category><![CDATA[David Foster]]></category>
		<category><![CDATA[Julie Christie]]></category>
		<category><![CDATA[Koraljka Suton]]></category>
		<category><![CDATA[Leonard Cohen]]></category>
		<category><![CDATA[McCabe & Mrs. Miller]]></category>
		<category><![CDATA[Robert Altman]]></category>
		<category><![CDATA[Vilmos Zsigmond]]></category>
		<category><![CDATA[Warren Beatty]]></category>
		<guid isPermaLink="false">https://cinephiliabeyond.org/?p=39576</guid>

					<description><![CDATA[<p>&#160; By Koraljka Suton &#160; The legendary director Robert Altman was given an Academy Honorary Award in 2006, “in recognition of [&#8230;]</p>
The post <a href="https://cinephiliabeyond.org/mccabe-mrs-miller/">How Robert Altman’s Anti-Western Classic ‘McCabe & Mrs. Miller’ Aged Like Fine Wine</a> appeared first on <a href="https://cinephiliabeyond.org">Cinephilia & Beyond</a>.]]></description>
		
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		<title>“It Ain&#8217;t Like It Used to Be. But It&#8217;ll Do:” How Sam Peckinpah&#8217;s ‘The Wild Bunch’ Became Both a Eulogy for a Mythic Past and a Template for a New Kind of Action</title>
		<link>https://cinephiliabeyond.org/the-wild-bunch/</link>
					<comments>https://cinephiliabeyond.org/the-wild-bunch/#respond</comments>
		
		<dc:creator><![CDATA[cinephiliabeyond]]></dc:creator>
		<pubDate>Fri, 19 Jun 2026 15:49:34 +0000</pubDate>
				<category><![CDATA[Cinematography]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[Screenwriting 101]]></category>
		<category><![CDATA[Gordon Dawson]]></category>
		<category><![CDATA[Jerry Fielding]]></category>
		<category><![CDATA[Lou Lombardo]]></category>
		<category><![CDATA[Lucien Ballard]]></category>
		<category><![CDATA[Robert Ryan]]></category>
		<category><![CDATA[Sam Peckinpah]]></category>
		<category><![CDATA[The Wild Bunch]]></category>
		<category><![CDATA[Tim Pelan]]></category>
		<category><![CDATA[Walon Green]]></category>
		<category><![CDATA[Warren Oates]]></category>
		<category><![CDATA[William Holden]]></category>
		<guid isPermaLink="false">https://cinephiliabeyond.org/?p=40589</guid>

					<description><![CDATA[<p>The Wild Bunch poster art by Tony Stella &#160; By Tim Pelan &#160; We wanted to show violence in real [&#8230;]</p>
The post <a href="https://cinephiliabeyond.org/the-wild-bunch/">“It Ain’t Like It Used to Be. But It’ll Do:” How Sam Peckinpah’s ‘The Wild Bunch’ Became Both a Eulogy for a Mythic Past and a Template for a New Kind of Action</a> appeared first on <a href="https://cinephiliabeyond.org">Cinephilia & Beyond</a>.]]></description>
		
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		<item>
		<title>‘The Parallax View’ at 52: Pakula&#8217;s Unsettling Examination of the Post-Compliant America</title>
		<link>https://cinephiliabeyond.org/parallax-view-pakulas-unsettling-examination-post-compliant-america/</link>
					<comments>https://cinephiliabeyond.org/parallax-view-pakulas-unsettling-examination-post-compliant-america/#comments</comments>
		
		<dc:creator><![CDATA[cinephiliabeyond]]></dc:creator>
		<pubDate>Fri, 19 Jun 2026 12:11:34 +0000</pubDate>
				<category><![CDATA[Cinematography]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Screenwriting 101]]></category>
		<category><![CDATA[Alan J. Pakula]]></category>
		<category><![CDATA[David Giler]]></category>
		<category><![CDATA[Gordon Willis]]></category>
		<category><![CDATA[John W. Wheeler]]></category>
		<category><![CDATA[Lorenzo Semple Jr.]]></category>
		<category><![CDATA[Michael Small]]></category>
		<category><![CDATA[Robert Towne]]></category>
		<category><![CDATA[The Parallax View]]></category>
		<category><![CDATA[Warren Beatty]]></category>
		<guid isPermaLink="false">http://www.cinephiliabeyond.org/?p=23429</guid>

					<description><![CDATA[<p>The Parallax View poster art by Callum Mullin &#160; By Sven Mikulec &#160; The seventies were a unique period in [&#8230;]</p>
The post <a href="https://cinephiliabeyond.org/parallax-view-pakulas-unsettling-examination-post-compliant-america/">‘The Parallax View’ at 52: Pakula’s Unsettling Examination of the Post-Compliant America</a> appeared first on <a href="https://cinephiliabeyond.org">Cinephilia & Beyond</a>.]]></description>
		
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		<title>&#8216;Psycho&#8217; at 66: The Proto-Slasher that Brought On a Revolution in Cinema</title>
		<link>https://cinephiliabeyond.org/psycho-proto-slasher-brought-revolution-cinema/</link>
					<comments>https://cinephiliabeyond.org/psycho-proto-slasher-brought-revolution-cinema/#comments</comments>
		
		<dc:creator><![CDATA[cinephiliabeyond]]></dc:creator>
		<pubDate>Mon, 15 Jun 2026 12:09:45 +0000</pubDate>
				<category><![CDATA[Cinematography]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Editing]]></category>
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		<category><![CDATA[Screenwriting 101]]></category>
		<category><![CDATA[Alfred Hitchcock]]></category>
		<category><![CDATA[Anthony Perkins]]></category>
		<category><![CDATA[Bernard Herrmann]]></category>
		<category><![CDATA[George Tomasini]]></category>
		<category><![CDATA[Janet Leigh]]></category>
		<category><![CDATA[John L. Russell]]></category>
		<category><![CDATA[Joseph Stefano]]></category>
		<category><![CDATA[Psycho]]></category>
		<category><![CDATA[Saul Bass]]></category>
		<guid isPermaLink="false">http://www.cinephiliabeyond.org/?p=23887</guid>

					<description><![CDATA[<p>&#160; By Sven Mikulec &#160; The image of a shabby motel in the middle of nowhere, by-passed by any relevant [&#8230;]</p>
The post <a href="https://cinephiliabeyond.org/psycho-proto-slasher-brought-revolution-cinema/">‘Psycho’ at 66: The Proto-Slasher that Brought On a Revolution in Cinema</a> appeared first on <a href="https://cinephiliabeyond.org">Cinephilia & Beyond</a>.]]></description>
		
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		<item>
		<title>‘Predator’ at 39: John McTiernan’s First Studio Gig that Became an Epic Action Classic</title>
		<link>https://cinephiliabeyond.org/predator-john-mctiernans-first-studio-gig-became-epic-action-classic/</link>
					<comments>https://cinephiliabeyond.org/predator-john-mctiernans-first-studio-gig-became-epic-action-classic/#respond</comments>
		
		<dc:creator><![CDATA[cinephiliabeyond]]></dc:creator>
		<pubDate>Fri, 12 Jun 2026 12:37:45 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
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		<category><![CDATA[Screenwriting 101]]></category>
		<category><![CDATA[Alan Silvestri]]></category>
		<category><![CDATA[Arnold Schwarzenegger]]></category>
		<category><![CDATA[Donald McAlpine]]></category>
		<category><![CDATA[Jim Thomas]]></category>
		<category><![CDATA[Joel Silver]]></category>
		<category><![CDATA[John McTiernan]]></category>
		<category><![CDATA[John Thomas]]></category>
		<category><![CDATA[Stan Winston]]></category>
		<guid isPermaLink="false">https://cinephiliabeyond.org/?p=30945</guid>

					<description><![CDATA[<p>&#160; By Sven Mikulec &#160; After Sylvester Stallone’s Rocky IV proved to be a huge box office hit back in [&#8230;]</p>
The post <a href="https://cinephiliabeyond.org/predator-john-mctiernans-first-studio-gig-became-epic-action-classic/">‘Predator’ at 39: John McTiernan’s First Studio Gig that Became an Epic Action Classic</a> appeared first on <a href="https://cinephiliabeyond.org">Cinephilia & Beyond</a>.]]></description>
		
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		<item>
		<title>‘The Truman Show’ at 28: Weir and Niccol’s Uplifting Yet Prophetically Disturbing Dystopian Satire</title>
		<link>https://cinephiliabeyond.org/truman-show-weir-niccols-uplifting-yet-prophetically-disturbing-dystopian-satire/</link>
					<comments>https://cinephiliabeyond.org/truman-show-weir-niccols-uplifting-yet-prophetically-disturbing-dystopian-satire/#respond</comments>
		
		<dc:creator><![CDATA[cinephiliabeyond]]></dc:creator>
		<pubDate>Fri, 05 Jun 2026 12:26:57 +0000</pubDate>
				<category><![CDATA[Cinematography]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Screenwriting 101]]></category>
		<category><![CDATA[Andrew Niccol]]></category>
		<category><![CDATA[Peter Biziou]]></category>
		<category><![CDATA[Peter Weir]]></category>
		<category><![CDATA[Philip Glass]]></category>
		<category><![CDATA[The Truman Show]]></category>
		<guid isPermaLink="false">http://www.cinephiliabeyond.org/?p=22400</guid>

					<description><![CDATA[<p>&#160; By Sven Mikulec &#160; Peter Weir&#8217;s The Truman Show, the dystopian satire from 1998 written by Andrew Niccol, remains [&#8230;]</p>
The post <a href="https://cinephiliabeyond.org/truman-show-weir-niccols-uplifting-yet-prophetically-disturbing-dystopian-satire/">‘The Truman Show’ at 28: Weir and Niccol’s Uplifting Yet Prophetically Disturbing Dystopian Satire</a> appeared first on <a href="https://cinephiliabeyond.org">Cinephilia & Beyond</a>.]]></description>
		
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		<item>
		<title>We Can Mis-Remember it 80s-Style: ‘Total Recall’ Was the Last Gasp 80s Ultraviolent Action Extravaganza for a New Decade</title>
		<link>https://cinephiliabeyond.org/total-recall/</link>
					<comments>https://cinephiliabeyond.org/total-recall/#respond</comments>
		
		<dc:creator><![CDATA[cinephiliabeyond]]></dc:creator>
		<pubDate>Sun, 31 May 2026 12:25:27 +0000</pubDate>
				<category><![CDATA[Cinematography]]></category>
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		<category><![CDATA[Andrew Vajna]]></category>
		<category><![CDATA[Arnold Schwarzenegger]]></category>
		<category><![CDATA[Dan O’Bannon]]></category>
		<category><![CDATA[Gary Goldman]]></category>
		<category><![CDATA[Jost Vacano]]></category>
		<category><![CDATA[Mario Kassar]]></category>
		<category><![CDATA[Paul Verhoeven]]></category>
		<category><![CDATA[Philip K. Dick]]></category>
		<category><![CDATA[Rob Bottin]]></category>
		<category><![CDATA[Ronald Shusett]]></category>
		<category><![CDATA[Tim Pelan]]></category>
		<category><![CDATA[Total Recall]]></category>
		<guid isPermaLink="false">https://cinephiliabeyond.org/?p=51201</guid>

					<description><![CDATA[<p>Total Recall poster by Kyle Lambert &#160; By Tim Pelan &#160; I made the movie in a way that it [&#8230;]</p>
The post <a href="https://cinephiliabeyond.org/total-recall/">We Can Mis-Remember it 80s-Style: ‘Total Recall’ Was the Last Gasp 80s Ultraviolent Action Extravaganza for a New Decade</a> appeared first on <a href="https://cinephiliabeyond.org">Cinephilia & Beyond</a>.]]></description>
		
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		<title>NOC NOC: How ‘Mission: Impossible’ Lit the Fuse of Action Stardom Within Tom Cruise</title>
		<link>https://cinephiliabeyond.org/mission-impossible/</link>
					<comments>https://cinephiliabeyond.org/mission-impossible/#respond</comments>
		
		<dc:creator><![CDATA[Sven Mikulec]]></dc:creator>
		<pubDate>Fri, 22 May 2026 12:54:53 +0000</pubDate>
				<category><![CDATA[Cinematography]]></category>
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		<category><![CDATA[Screenwriting]]></category>
		<category><![CDATA[Screenwriting 101]]></category>
		<category><![CDATA[Brian De Palma]]></category>
		<category><![CDATA[Danny Elfman]]></category>
		<category><![CDATA[David Koepp]]></category>
		<category><![CDATA[Jean Reno]]></category>
		<category><![CDATA[Jon Voight]]></category>
		<category><![CDATA[Kristin Scott Thomas]]></category>
		<category><![CDATA[Mission: Impossible]]></category>
		<category><![CDATA[Paul Hirsch]]></category>
		<category><![CDATA[Rob Bottin]]></category>
		<category><![CDATA[Robert Towne]]></category>
		<category><![CDATA[Stephen H. Burum]]></category>
		<category><![CDATA[Tim Pelan]]></category>
		<category><![CDATA[Tom Cruise]]></category>
		<category><![CDATA[Vanessa Redgrave]]></category>
		<category><![CDATA[Ving Rhames]]></category>
		<guid isPermaLink="false">https://cinephiliabeyond.org/?p=51903</guid>

					<description><![CDATA[<p>Mission: Impossible poster art by Radostina/CinemaCity00 &#160; By Tim Pelan &#160; In my mid-50s, doing &#8216;Carlito&#8217;s Way&#8217; and then &#8216;Mission: [&#8230;]</p>
The post <a href="https://cinephiliabeyond.org/mission-impossible/">NOC NOC: How ‘Mission: Impossible’ Lit the Fuse of Action Stardom Within Tom Cruise</a> appeared first on <a href="https://cinephiliabeyond.org">Cinephilia & Beyond</a>.]]></description>
		
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		<title>&#8216;Stalker&#8217;: Andrei Tarkovsky’s Merger of Contemplative Style and Transcendental Substance Designed to Put Us in the Zone</title>
		<link>https://cinephiliabeyond.org/stalker/</link>
					<comments>https://cinephiliabeyond.org/stalker/#respond</comments>
		
		<dc:creator><![CDATA[cinephiliabeyond]]></dc:creator>
		<pubDate>Tue, 19 May 2026 12:21:30 +0000</pubDate>
				<category><![CDATA[Cinematography]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Screenwriting]]></category>
		<category><![CDATA[Screenwriting 101]]></category>
		<category><![CDATA[Alexander Kaidanovsky]]></category>
		<category><![CDATA[Alexander Knyazhinsky]]></category>
		<category><![CDATA[Andrei Tarkovsky]]></category>
		<category><![CDATA[Arkadiy Strugatskiy]]></category>
		<category><![CDATA[Boris Strugatskiy]]></category>
		<category><![CDATA[Eduard Artemiev]]></category>
		<category><![CDATA[Georgy Rerberg]]></category>
		<category><![CDATA[Koraljka Suton]]></category>
		<category><![CDATA[Leonid Kalashnikov]]></category>
		<category><![CDATA[Lyudmila Feiginova]]></category>
		<category><![CDATA[Stalker]]></category>
		<category><![CDATA[Vladimir Sharun]]></category>
		<guid isPermaLink="false">https://cinephiliabeyond.org/?p=42489</guid>

					<description><![CDATA[<p>&#160; By Koraljka Suton &#160; &#8216;Stalker&#8217; is not a desperate film. I don’t think a work of art can be [&#8230;]</p>
The post <a href="https://cinephiliabeyond.org/stalker/">‘Stalker’: Andrei Tarkovsky’s Merger of Contemplative Style and Transcendental Substance Designed to Put Us in the Zone</a> appeared first on <a href="https://cinephiliabeyond.org">Cinephilia & Beyond</a>.]]></description>
		
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