Comments for Cinephilia & Beyond https://cinephiliabeyond.org Films and Filmmaking Tue, 21 Oct 2025 03:30:13 +0000 hourly 1 https://wordpress.org/?v=6.8.3 Comment on ‘A Clockwork Orange’: Kubrick and Burgess’ Vision of the Modern World by Tema 2: Del signo a la pantalla: la construcción del significado en el discurso cinematográfico – Tesseract fílmico https://cinephiliabeyond.org/clockwork-orange-kubrick-burgess-vision-modern-world/#comment-2724 Tue, 21 Oct 2025 03:30:13 +0000 http://www.cinephiliabeyond.org/?p=21775#comment-2724 […] Cinephiliabeyond. (2024, 20 diciembre). ‘A Clockwork Orange’: Kubrick and Burgess’ Vision of the Modern World. Cinephilia & Beyond. https://cinephiliabeyond.org/clockwork-orange-kubrick-burgess-vision-modern-world/ […]

]]> Comment on ‘Persona’: Ingmar Bergman’s Psychological Masterpiece as the White Whale of Critical Analysis by Tema 1. Signos en movimiento: el cine como construcción del sentido – Tesseract fílmico https://cinephiliabeyond.org/persona-ingmar-bergmans-psychological-masterpiece-white-whale-critical-analysis/#comment-2723 Tue, 14 Oct 2025 02:38:31 +0000 https://cinephiliabeyond.org/?p=26105#comment-2723 […] Mikulec, S. (2024). ‘Persona’: Ingmar Bergman’s psychological masterpiece as the White Whale of critical analysis. Cinephilia & Beyond. https://cinephiliabeyond.org/persona-ingmar-bergmans-psychological-masterpiece-white-whale-critical-… […]

]]> Comment on Peter Weir’s ‘Dead Poets Society’ at 36: An Awe-Inspiring Celebration of the Human Spirit by Tema 0. Versos que arden – Tesseract fílmico https://cinephiliabeyond.org/dead-poets-society/#comment-2722 Thu, 09 Oct 2025 04:38:32 +0000 https://cinephiliabeyond.org/?p=51008#comment-2722 […] Cinephiliabeyond. (2025, 2 junio). Peter Weir’s ‘Dead Poets Society’ at 36: An Awe-Inspiring Celebration of the Human Spirit. Cinephilia & Beyond. https://cinephiliabeyond.org/dead-poets-society/ […]

]]> Comment on ‘Jaws’ at 50: The Groundbreaking Summer Blockbuster that Changed Hollywood, and Our Summer Vacations, Forever by This Month’s Movie Musts – Mga Film Interests https://cinephiliabeyond.org/jaws-groundbreaking-summer-blockbuster-changed-hollywood-summer-vacations-forever/#comment-2721 Tue, 30 Sep 2025 18:44:38 +0000 https://cinephiliabeyond.org/?p=29204#comment-2721 […] Please visit CinephiliaBeyond’s Article “‘Jaws’ at 50: The Groundbreaking Summer Blockbuster that Changed Hollywood, and Our Summer Vacations, Forever” https://cinephiliabeyond.org/jaws-groundbreaking-summer-blockbuster-changed-hollywood-summer-vacatio… […]

]]> Comment on ‘L’Avventura’ at 65: Michelangelo Antonioni’s Visual Poetry and Its Impact on the World of Film by L’avventura: A Present Absence | 1960s: Days of Rage https://cinephiliabeyond.org/lavventura/#comment-2720 Mon, 18 Aug 2025 18:43:06 +0000 https://cinephiliabeyond.org/?p=34000#comment-2720 […] the one that most clearly represents the unique nature of his art. …” Criterion ‘L’Avventura’: Michelangelo Antonioni’s Visual Poetry and Its Impact on the World of Film (V… Criterion: L’avventura (Video) Senses of Cinema 1960s: Days of Rage – Michelangelo […]

]]> Comment on ‘Miller’s Crossing’ is touching and studiously crafted love letter to American film noirs and the seventh art in general by História de Gangsters (1990) « A Grande Ilusão https://cinephiliabeyond.org/the-coen-brothers-millers-crossing/#comment-2718 Mon, 30 Jun 2025 10:01:28 +0000 http://www.cinephiliabeyond.org/?p=12341#comment-2718 […] https://cinephiliabeyond.org/the-coen-brothers-millers-crossing/ […]

]]> Comment on “We Translate Every Experience into the Same Old Codes”: In Michelangelo Antonioni’s ‘The Passenger,’ Which Turns 50 Today, Jack Nicholson Attempts a Transference of Self by The Passenger – Michelangelo Antonioni (1975) | 1960s: Days of Rage https://cinephiliabeyond.org/the-passenger/#comment-2717 Fri, 06 Jun 2025 18:13:29 +0000 https://cinephiliabeyond.org/?p=37639#comment-2717 […] boasts still another of those splendid portrayals from Nicholson’. …” Wikipedia “We Translate Every Experience into the Same Old Codes”: In Michelangelo Antonioni’s ‘The Pa… Senses of Cinema – Michelangelo Antonioni: The Truth about The Passenger The Passenger: One […]

]]> Comment on ‘After Hours’ at 40: Celebrating Scorsese’s Kafka-Inspired New York Odyssey by After Hours (1985): Absurdity in Reality – ashley sheo https://cinephiliabeyond.org/after-hours/#comment-2716 Wed, 07 May 2025 06:03:33 +0000 https://cinephiliabeyond.org/?p=47485#comment-2716 […] to us nor Josef himself. Kafka’s works are famously illogical and set within oppressive worlds “without means of escaping,” and I found this to be true in After Hours as well—from the office setting in the […]

]]> Comment on ‘Strange Days’ at 30: Kathryn Bigelow’s Thrilling Sci-Fi that Doesn’t Feel As Strange As It Should by Estranhos Prazeres (1995) « A Grande Ilusão https://cinephiliabeyond.org/strange-days-kathryn-bigelows-thrilling-sci-fi-doesnt-feel-strange/#comment-2715 Tue, 29 Apr 2025 13:54:18 +0000 https://cinephiliabeyond.org/?p=29540#comment-2715 […] https://cinephiliabeyond.org/strange-days-kathryn-bigelows-thrilling-sci-fi-doesnt-feel-strange/ […]

]]> Comment on Villeneuve’s ‘Arrival’: A Deep Exploration of the Importance of Language, the Nature of Time and the Dichotomy of Human Existence by Love, Loss, and the Choice to Live Anyway | Neither this nor that https://cinephiliabeyond.org/arrival/#comment-2714 Mon, 14 Apr 2025 20:26:04 +0000 https://cinephiliabeyond.org/?p=55981#comment-2714 […] https://cinephiliabeyond.org/arrival/ […]

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