Comments for Cinephilia & Beyond

Comment on Fincher’s ‘Zodiac’: A Suspenseful and Thrilling Combination of Police Procedural and Newspaper Film That Masterfully Chronicles the Progression of Obsession by The Epistemology of Narrative Certainty: Historical Revisionism and the Substitution of Evidence in Cinematic Docu-Drama – JP

Mon, 15 Dec 2025 03:12:00 +0000

[…] reportedly framed Zodiac by stating his intention was to capture the “truth of those books” and present the story “through Robert’s eyes.” In this framing, the film becomes less about the crime itself and more about the psychological […]

Comment on ‘A Clockwork Orange’: Kubrick and Burgess’ Vision of the Modern World by Tema 2: Del signo a la pantalla: la construcción del significado en el discurso cinematográfico – Tesseract fílmico

Tue, 21 Oct 2025 03:30:13 +0000

[…] Cinephiliabeyond. (2024, 20 diciembre). ‘A Clockwork Orange’: Kubrick and Burgess’ Vision of the Modern World. Cinephilia & Beyond. https://cinephiliabeyond.org/clockwork-orange-kubrick-burgess-vision-modern-world/ […]

Comment on ‘Persona’: Ingmar Bergman’s Psychological Masterpiece as the White Whale of Critical Analysis by Tema 1. Signos en movimiento: el cine como construcción del sentido – Tesseract fílmico

Tue, 14 Oct 2025 02:38:31 +0000

[…] Mikulec, S. (2024). ‘Persona’: Ingmar Bergman’s psychological masterpiece as the White Whale of critical analysis. Cinephilia & Beyond. https://cinephiliabeyond.org/persona-ingmar-bergmans-psychological-masterpiece-white-whale-critical-… […]

Comment on Peter Weir’s ‘Dead Poets Society’ at 36: An Awe-Inspiring Celebration of the Human Spirit by Tema 0. Versos que arden – Tesseract fílmico

Tema 0. Versos que arden – Tesseract fílmico — Thu, 09 Oct 2025 04:38:32 +0000

[…] Cinephiliabeyond. (2025, 2 junio). Peter Weir’s ‘Dead Poets Society’ at 36: An Awe-Inspiring Celebration of the Human Spirit. Cinephilia & Beyond. https://cinephiliabeyond.org/dead-poets-society/ […]

Comment on ‘Jaws’ at 50: The Groundbreaking Summer Blockbuster that Changed Hollywood, and Our Summer Vacations, Forever by This Month’s Movie Musts – Mga Film Interests

This Month’s Movie Musts – Mga Film Interests — Tue, 30 Sep 2025 18:44:38 +0000

[…] Please visit CinephiliaBeyond’s Article “‘Jaws’ at 50: The Groundbreaking Summer Blockbuster that Changed Hollywood, and Our Summer Vacations, Forever” https://cinephiliabeyond.org/jaws-groundbreaking-summer-blockbuster-changed-hollywood-summer-vacatio… […]

Comment on ‘L’Avventura’ at 65: Michelangelo Antonioni’s Visual Poetry and Its Impact on the World of Film by L’avventura: A Present Absence | 1960s: Days of Rage

L’avventura: A Present Absence | 1960s: Days of Rage — Mon, 18 Aug 2025 18:43:06 +0000

[…] the one that most clearly represents the unique nature of his art. …” Criterion ‘L’Avventura’: Michelangelo Antonioni’s Visual Poetry and Its Impact on the World of Film (V… Criterion: L’avventura (Video) Senses of Cinema 1960s: Days of Rage – Michelangelo […]

Comment on ‘Miller’s Crossing’ is touching and studiously crafted love letter to American film noirs and the seventh art in general by História de Gangsters (1990) « A Grande Ilusão

História de Gangsters (1990) « A Grande Ilusão — Mon, 30 Jun 2025 10:01:28 +0000

[…] https://cinephiliabeyond.org/the-coen-brothers-millers-crossing/ […]

Comment on “We Translate Every Experience into the Same Old Codes”: In Michelangelo Antonioni’s ‘The Passenger,’ Which Turns 50 Today, Jack Nicholson Attempts a Transference of Self by The Passenger – Michelangelo Antonioni (1975) | 1960s: Days of Rage

The Passenger – Michelangelo Antonioni (1975) | 1960s: Days of Rage — Fri, 06 Jun 2025 18:13:29 +0000

[…] boasts still another of those splendid portrayals from Nicholson’. …” Wikipedia “We Translate Every Experience into the Same Old Codes”: In Michelangelo Antonioni’s ‘The Pa… Senses of Cinema – Michelangelo Antonioni: The Truth about The Passenger The Passenger: One […]

Comment on ‘After Hours’ at 40: Celebrating Scorsese’s Kafka-Inspired New York Odyssey by After Hours (1985): Absurdity in Reality – ashley sheo

After Hours (1985): Absurdity in Reality – ashley sheo — Wed, 07 May 2025 06:03:33 +0000

[…] to us nor Josef himself. Kafka’s works are famously illogical and set within oppressive worlds “without means of escaping,” and I found this to be true in After Hours as well—from the office setting in the […]

Comment on ‘Strange Days’ at 30: Kathryn Bigelow’s Thrilling Sci-Fi that Doesn’t Feel As Strange As It Should by Estranhos Prazeres (1995) « A Grande Ilusão

Estranhos Prazeres (1995) « A Grande Ilusão — Tue, 29 Apr 2025 13:54:18 +0000

[…] https://cinephiliabeyond.org/strange-days-kathryn-bigelows-thrilling-sci-fi-doesnt-feel-strange/ […]