Comments for Cinephilia & Beyond https://cinephiliabeyond.org Films and Filmmaking Mon, 02 Mar 2026 22:05:09 +0000 hourly 1 https://wordpress.org/?v=6.9.4 Comment on David Fincher: A Life in Pictures by Director Research https://cinephiliabeyond.org/david-fincher-life-pictures/#comment-2733 Fri, 27 Feb 2026 07:53:37 +0000 http://www.cinephiliabeyond.org/?p=11880#comment-2733 […] Cinephiliabeyond. (2014, December 21). David Fincher: A Life in Pictures. Cinephilia & Beyond. https://cinephiliabeyond.org/david-fincher-life-pictures/ […]

]]> Comment on Cleansing of the Soul for a Clean Slate: Guillermo del Toro’s ‘The Devil’s Backbone’ by Research Task 4.2: Case Study – Storyboards – Susanne's OCA Graphic Design Blog https://cinephiliabeyond.org/devils-backbone/#comment-2732 Fri, 20 Feb 2026 14:14:43 +0000 https://cinephiliabeyond.org/?p=39694#comment-2732 […] Slate: Guillermo del Toro’s ‘The Devil’s Backbone’, Cinephilia & Beyond. Available at: https://cinephiliabeyond.org/devils-backbone/ (Accessed: November […]

]]> Comment on “Dazed By Days” By Richard Linklater by Needle-drops and beefing with Robert Plant: how Richard Linklater uses music in his indie masterpieces – Gary Ryan https://cinephiliabeyond.org/dazed-by-days-by-richard-linklater/#comment-2731 Mon, 09 Feb 2026 13:41:35 +0000 http://www.cinephiliabeyond.org/?p=15509#comment-2731 […] Plant had blocked Zeppelin’s music from being used in Dazed & Confused. Linklater called him a “pathetically aging rock star,” in response. “I’ll boycott Plant for life. Even if […]

]]> Comment on Carol Reed’s ‘Odd Man Out’—Too Long In ‘The Third Man’s Shadow? by Odd Man Out | Charlotte was Both https://cinephiliabeyond.org/odd-man-out/#comment-2730 Sun, 01 Feb 2026 04:59:20 +0000 https://cinephiliabeyond.org/?p=43242#comment-2730 […] of interest about movies and literature and war, but what really caught my eye was a snippet from a lengthy 1971 interview with Reed. The interviewer was question him about an aspect of the 1959 Our Man in Havana – yes, yet another […]

]]> Comment on Fincher’s ‘Zodiac’: A Suspenseful and Thrilling Combination of Police Procedural and Newspaper Film That Masterfully Chronicles the Progression of Obsession by The Epistemology of Narrative Certainty: Historical Revisionism and the Substitution of Evidence in Cinematic Docu-Drama – JP https://cinephiliabeyond.org/zodiac/#comment-2727 Mon, 15 Dec 2025 03:12:00 +0000 https://cinephiliabeyond.org/?p=40798#comment-2727 […] reportedly framed Zodiac by stating his intention was to capture the “truth of those books” and present the story “through Robert’s eyes.” In this framing, the film becomes less about the crime itself and more about the psychological […]

]]> Comment on ‘A Clockwork Orange’: Kubrick and Burgess’ Vision of the Modern World by Tema 2: Del signo a la pantalla: la construcción del significado en el discurso cinematográfico – Tesseract fílmico https://cinephiliabeyond.org/clockwork-orange-kubrick-burgess-vision-modern-world/#comment-2724 Tue, 21 Oct 2025 03:30:13 +0000 http://www.cinephiliabeyond.org/?p=21775#comment-2724 […] Cinephiliabeyond. (2024, 20 diciembre). ‘A Clockwork Orange’: Kubrick and Burgess’ Vision of the Modern World. Cinephilia & Beyond. https://cinephiliabeyond.org/clockwork-orange-kubrick-burgess-vision-modern-world/ […]

]]> Comment on ‘Persona’: Ingmar Bergman’s Psychological Masterpiece as the White Whale of Critical Analysis by Tema 1. Signos en movimiento: el cine como construcción del sentido – Tesseract fílmico https://cinephiliabeyond.org/persona-ingmar-bergmans-psychological-masterpiece-white-whale-critical-analysis/#comment-2723 Tue, 14 Oct 2025 02:38:31 +0000 https://cinephiliabeyond.org/?p=26105#comment-2723 […] Mikulec, S. (2024). ‘Persona’: Ingmar Bergman’s psychological masterpiece as the White Whale of critical analysis. Cinephilia & Beyond. https://cinephiliabeyond.org/persona-ingmar-bergmans-psychological-masterpiece-white-whale-critical-… […]

]]> Comment on Peter Weir’s ‘Dead Poets Society’ at 36: An Awe-Inspiring Celebration of the Human Spirit by Tema 0. Versos que arden – Tesseract fílmico https://cinephiliabeyond.org/dead-poets-society/#comment-2722 Thu, 09 Oct 2025 04:38:32 +0000 https://cinephiliabeyond.org/?p=51008#comment-2722 […] Cinephiliabeyond. (2025, 2 junio). Peter Weir’s ‘Dead Poets Society’ at 36: An Awe-Inspiring Celebration of the Human Spirit. Cinephilia & Beyond. https://cinephiliabeyond.org/dead-poets-society/ […]

]]> Comment on ‘Jaws’ at 50: The Groundbreaking Summer Blockbuster that Changed Hollywood, and Our Summer Vacations, Forever by This Month’s Movie Musts – Mga Film Interests https://cinephiliabeyond.org/jaws-groundbreaking-summer-blockbuster-changed-hollywood-summer-vacations-forever/#comment-2721 Tue, 30 Sep 2025 18:44:38 +0000 https://cinephiliabeyond.org/?p=29204#comment-2721 […] Please visit CinephiliaBeyond’s Article “‘Jaws’ at 50: The Groundbreaking Summer Blockbuster that Changed Hollywood, and Our Summer Vacations, Forever” https://cinephiliabeyond.org/jaws-groundbreaking-summer-blockbuster-changed-hollywood-summer-vacatio… […]

]]> Comment on ‘L’Avventura’ at 65: Michelangelo Antonioni’s Visual Poetry and Its Impact on the World of Film by L’avventura: A Present Absence | 1960s: Days of Rage https://cinephiliabeyond.org/lavventura/#comment-2720 Mon, 18 Aug 2025 18:43:06 +0000 https://cinephiliabeyond.org/?p=34000#comment-2720 […] the one that most clearly represents the unique nature of his art. …” Criterion ‘L’Avventura’: Michelangelo Antonioni’s Visual Poetry and Its Impact on the World of Film (V… Criterion: L’avventura (Video) Senses of Cinema 1960s: Days of Rage – Michelangelo […]

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