Cinematography

‘Out of the Past’: The Quintessential Film Noir that Launched Robert Mitchum and Kirk Douglas’ Careers

  By Sven Mikulec   Seventy years since its release, Out of the Past has long enjoyed an established place…

3 years ago

And Unto Dust We Shall Return: On Martin Scorsese’s ‘The Irishman’

  By Theo Zenou This review contains spoilers.   The Irishman, Martin Scorsese’s hyped return to the gangster genre, is…

3 years ago

‘Blow-Up’: The Importance and Influence of Michelangelo Antonioni’s Stylish, Thought-Provoking Mystery

  By Sven Mikulec In 1966, the Italian maestro Michelangelo Antonioni, already famous as one of the most prominent European…

3 years ago

‘Walk the Line’: How James Mangold Uncovered the Emotional History of Johnny Cash

  By Koraljka Suton   He had to find the range of his own creativity, and learn how to control…

3 years ago

Subject to the Requirements of the Service: Peter Weir’s ‘Master and Commander: The Far Side of the World’

    By Tim Pelan   Asked by Debbie Lynn Elias of Behind The Lens Online on what compels the…

3 years ago

Scorsese On the Ropes: The ‘Kamikaze’ Film-Making of ‘Raging Bull’

  By Tim Pelan   Scorsese’s Raging Bull is not your dad's boxing movie. It's certainly not a story of…

3 years ago

How Francis Ford Coppola Breathed New Life into ‘Bram Stoker’s Dracula’

  By Koraljka Suton   It could be deemed rather poetic that the origins of two of the most iconic…

3 years ago

‘Paths of Glory’: Stanley Kubrick’s First Step Towards Cinema Immortality

  By Sven Mikulec   There's a picture that will always be good, years from now, the great Kirk Douglas…

3 years ago

‘Atlantic City’: Louis Malle’s Nostalgic Juxtaposition of Deterioration and Renewal

  By Koraljka Suton   When acclaimed French New Wave director Louis Malle was approached by producer Alexandre Mnouchkine with…

3 years ago