Cinematography

‘Close Encounters of the Third Kind’: Steven Spielberg’s Gamble That Paid Off Generously

  By Sven Mikulec Upon making Jaws, the first true blockbuster and a shocking money-maker, Steven Spielberg was under enormous…

4 months ago

The Greater the Truth, the Greater the Damage: ‘The Insider,’ Michael Mann’s White-Collar Thrill Ride of Corporate Malfeasance

  By Tim Pelan Few filmmakers can take a whistle-blowing dramatization of real life potentially dusty legal shenanigans and news…

4 months ago

‘A History of Violence’: David Cronenberg’s Superb Study of the Basic Impulses that Drive Humanity

  By Sven Mikulec The master of the specific subgenre called body horror and the man who put out such…

4 months ago

Play for Play: How The Color of Money’s ‘One For Them’ Assignment Reignited Martin Scorsese’s Hunger for the Work

  By Tim Pelan After 'The Last Temptation' was cancelled in ’83, I had to get myself back in shape.…

4 months ago

40 Years of Hurt, Face-Hugging Dreams of Breathing: Ridley Scott’s ‘Alien’

Alien poster art by Brian Taylor   By Tim Pelan Ripley's words to the Xenomorph in Alien 3 sum up…

5 months ago

To the Wonder: The Lyrical Appeal and Influence of Richard Donner’s ‘Superman’

  By Tim Pelan Richard Donner, director of The Omen, the Lethal Weapon series, The Goonies, but oh so especially…

5 months ago

Michael Chapman: Cinematographers, in the Traditional Sense, Are a Dying Breed

  By Sven Mikulec After the projection of Raging Bull, one of the landmarks of American cinema and a crucial…

5 months ago

‘Miller’s Crossing’ at 30: A Lamentation of Losers by the Coen Brothers

  By Tim Pelan After the success of Raising Arizona, Joel and Ethan Coen were given the chance to do…

5 months ago

‘Goodfellas’ at 30: Martin Scorsese’s Anthropological Goodlife Through a Lens

Photographed by Barry Wetcher © Warner Bros.   By Tim Pelan As far back as I can remember, director Martin…

5 months ago