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Films and Filmmaking
Filmmaking
‘Sicario’—Making America Great Again—Villeneuve’s Beige Border Chronicle of an Unwinnable War Foretold
Defying Gravity: The Cosmic Corn of Christopher Nolan’s ‘Interstellar’
Double Solitaire: The Films of Charles Brackett and Billy Wilder
Screenwriting
‘Sicario’—Making America Great Again—Villeneuve’s Beige Border Chronicle of an Unwinnable War Foretold
Defying Gravity: The Cosmic Corn of Christopher Nolan’s ‘Interstellar’
Double Solitaire: The Films of Charles Brackett and Billy Wilder
Interview
Defying Gravity: The Cosmic Corn of Christopher Nolan’s ‘Interstellar’
‘The Wicker Man’: The True Nature of Sacrifice
Trickle Down Robonomics—The Predatory Capitalism of ‘RoboCop’
Documentary
Defying Gravity: The Cosmic Corn of Christopher Nolan’s ‘Interstellar’
‘The Wicker Man’: The True Nature of Sacrifice
Trickle Down Robonomics—The Predatory Capitalism of ‘RoboCop’
Cinematography
‘Sicario’—Making America Great Again—Villeneuve’s Beige Border Chronicle of an Unwinnable War Foretold
Defying Gravity: The Cosmic Corn of Christopher Nolan’s ‘Interstellar’
‘Mulholland Drive’: David Lynch’s Surrealist Masterpiece Bridges the Gap Between the Conscious and Subconscious Mind
Editing
‘The Hill’: Sean Connery’s Sisyphean Bond Break-Out
‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
No image
‘I Wish I Knew How to Quit You’: Ang Lee’s Deeply Tragic ‘Brokeback Mountain’ Smolders with Slow-Burning Despair
Short film
‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More
Shane Salerno
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