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Cinephilia & Beyond - Films and Filmmaking Films and Filmmaking
  • Filmmaking
    • Peter Weir’s ‘Dead Poets Society’: An Awe-Inspiring Celebration of the Human Spirit
      Peter Weir’s ‘Dead Poets Society’: An Awe-Inspiring Celebration of the Human Spirit
    • ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
      ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
    • ‘The Fisher King’: Terry Gilliam’s Touching Film About Grief, Trauma and Hope
      ‘The Fisher King’: Terry Gilliam’s Touching Film About Grief, Trauma and Hope
  • Screenwriting
    • Unveiling Ridley Scott’s Cinematic Grail:<br> ‘The Illustrated Blade Runner’
      Unveiling Ridley Scott’s Cinematic Grail:
      ‘The Illustrated Blade Runner’
    • Peter Weir’s ‘Dead Poets Society’: An Awe-Inspiring Celebration of the Human Spirit
      Peter Weir’s ‘Dead Poets Society’: An Awe-Inspiring Celebration of the Human Spirit
    • ‘The Fisher King’: Terry Gilliam’s Touching Film About Grief, Trauma and Hope
      ‘The Fisher King’: Terry Gilliam’s Touching Film About Grief, Trauma and Hope
  • Interview
    • Unveiling Ridley Scott’s Cinematic Grail:<br> ‘The Illustrated Blade Runner’
      Unveiling Ridley Scott’s Cinematic Grail:
      ‘The Illustrated Blade Runner’
    • Peter Weir’s ‘Dead Poets Society’: An Awe-Inspiring Celebration of the Human Spirit
      Peter Weir’s ‘Dead Poets Society’: An Awe-Inspiring Celebration of the Human Spirit
    • ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
      ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
  • Documentary
    • ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
      ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
    • ‘The Fisher King’: Terry Gilliam’s Touching Film About Grief, Trauma and Hope
      ‘The Fisher King’: Terry Gilliam’s Touching Film About Grief, Trauma and Hope
    • ‘The Driver’: Walter Hill Behind the Wheel of a Glorious Experiment
      ‘The Driver’: Walter Hill Behind the Wheel of a Glorious Experiment
  • Cinematography
    • Peter Weir’s ‘Dead Poets Society’: An Awe-Inspiring Celebration of the Human Spirit
      Peter Weir’s ‘Dead Poets Society’: An Awe-Inspiring Celebration of the Human Spirit
    • ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
      ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
    • ‘The Fisher King’: Terry Gilliam’s Touching Film About Grief, Trauma and Hope
      ‘The Fisher King’: Terry Gilliam’s Touching Film About Grief, Trauma and Hope
  • Editing
    • ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
      ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
    • No image
      ‘I Wish I Knew How to Quit You’: Ang Lee’s Deeply Tragic ‘Brokeback Mountain’ Smolders with Slow-Burning Despair
    • It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
      It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
  • Short film
    • ‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
      ‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
    • ‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
      ‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
    • ‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More
      ‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More

Waldo Salt

Cinematography, Filmmaking, Interview, Screenwriting, Screenwriting 101

How John Schlesinger’s Homeless and Lonesome ‘Midnight Cowboy’ Rode His Way to the Top and Became the First and Only X-rated Movie to Win a Best Picture Oscar

Cinematography, Documentary, Editing, Filmmaking, Interview, Screenwriting 101

Sidney Lumet’s ‘Serpico’: One Honest Man’s Struggle Against the System

Cinematography, Documentary, Filmmaking, Screenwriting

The day an X-rated walk on the dark side called ‘Midnight Cowboy’ won the Oscar for best picture, a new generation came to power in Hollywood

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