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Cinephilia & Beyond -
  • Filmmaking
    • It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
      It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
    • Martin Scorsese’s Encounter with Kafka During ‘After Hours’
      Martin Scorsese’s Encounter with Kafka During ‘After Hours’
    • ‘I Am Insane, and You Are My Insanity’: The Captivating World of Terry Gilliam’s ’12 Monkeys’
      ‘I Am Insane, and You Are My Insanity’: The Captivating World of Terry Gilliam’s ’12 Monkeys’
  • Screenwriting
    • It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
      It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
    • Martin Scorsese’s Encounter with Kafka During ‘After Hours’
      Martin Scorsese’s Encounter with Kafka During ‘After Hours’
    • ‘I Am Insane, and You Are My Insanity’: The Captivating World of Terry Gilliam’s ’12 Monkeys’
      ‘I Am Insane, and You Are My Insanity’: The Captivating World of Terry Gilliam’s ’12 Monkeys’
  • Interview
    • It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
      It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
    • Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’
      Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’
    • ‘The Life and Times of Don Luis Buñuel’: The Perfect Window into the Mind of a Groundbreaking Artist
      ‘The Life and Times of Don Luis Buñuel’: The Perfect Window into the Mind of a Groundbreaking Artist
  • Documentary
    • It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
      It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
    • Martin Scorsese’s Encounter with Kafka During ‘After Hours’
      Martin Scorsese’s Encounter with Kafka During ‘After Hours’
    • ‘I Am Insane, and You Are My Insanity’: The Captivating World of Terry Gilliam’s ’12 Monkeys’
      ‘I Am Insane, and You Are My Insanity’: The Captivating World of Terry Gilliam’s ’12 Monkeys’
  • Cinematography
    • It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
      It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
    • Martin Scorsese’s Encounter with Kafka During ‘After Hours’
      Martin Scorsese’s Encounter with Kafka During ‘After Hours’
    • ‘I Am Insane, and You Are My Insanity’: The Captivating World of Terry Gilliam’s ’12 Monkeys’
      ‘I Am Insane, and You Are My Insanity’: The Captivating World of Terry Gilliam’s ’12 Monkeys’
  • Editing
    • It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
      It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
    • Scorsese’s Sexless Period Drama ‘The Age of Innocence’ as a Visceral Depiction of Emotional Starvation and Internalized Violence
      Scorsese’s Sexless Period Drama ‘The Age of Innocence’ as a Visceral Depiction of Emotional Starvation and Internalized Violence
    • No image
      Neil Marshall’s ‘The Descent’: Humans Are the Scariest Things
  • Short film
    • ‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
      ‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
    • ‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
      ‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
    • ‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More
      ‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More

Waldo Salt

Cinematography, Filmmaking, Interview, Screenwriting, Screenwriting 101

How John Schlesinger’s Homeless and Lonesome ‘Midnight Cowboy’ Rode His Way to the Top and Became the First and Only X-rated Movie to Win a Best Picture Oscar

Cinematography, Documentary, Editing, Filmmaking, Interview, Screenwriting 101

Sidney Lumet’s ‘Serpico’: One Honest Man’s Struggle Against the System

Cinematography, Documentary, Filmmaking, Screenwriting

The day an X-rated walk on the dark side called ‘Midnight Cowboy’ won the Oscar for best picture, a new generation came to power in Hollywood

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