Thelma Schoonmaker

Martin Scorsese’s Encounter with Kafka<br> During ‘After Hours’

Cinematography, Documentary, Filmmaking, Screenwriting, Screenwriting 101

Martin Scorsese’s Encounter with Kafka
During ‘After Hours’

Scorsese’s Sexless Period Drama ‘The Age of Innocence’ as a Visceral Depiction of Emotional Starvation and Internalized Violence

Cinematography, Documentary, Editing, Filmmaking, Screenwriting, Screenwriting 101

Scorsese’s Sexless Period Drama ‘The Age of Innocence’ as a Visceral Depiction of Emotional Starvation and Internalized Violence

Cinematography, Filmmaking, Reviews, Screenwriting, Screenwriting 101

And Unto Dust We Shall Return: On Martin Scorsese’s ‘The Irishman’

Scorsese On the Ropes: The ‘Kamikaze’ Film-Making of ‘Raging Bull’

Cinematography, Filmmaking, Interview, Screenwriting 101

Scorsese On the Ropes: The ‘Kamikaze’ Film-Making of ‘Raging Bull’

Cinematography, Filmmaking, Interview, Screenwriting

Play for Play: How The Color of Money’s ‘One For Them’ Assignment Reignited Martin Scorsese’s Hunger for the Work

‘Goodfellas’ at 30: Martin Scorsese’s Anthropological Goodlife Through a Lens

Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101

‘Goodfellas’ at 30: Martin Scorsese’s Anthropological Goodlife Through a Lens

‘Bringing Out the Dead’: Martin Scorsese’s Deeply Humane Unsung Gem

Cinematography, Filmmaking, Interview, Screenwriting, Screenwriting 101

‘Bringing Out the Dead’: Martin Scorsese’s Deeply Humane Unsung Gem

Cinematography, Filmmaking, Interview, Screenwriting, Screenwriting 101

Paradise Lost: How Martin Scorsese’s ‘Casino’ Charts the Rise and Fall of a Criminal Empire

Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101

‘Kundun’: Martin Scorsese’s Serene Meditation on the Transient Nature of Life

Cinematography, Editing, Filmmaking, Interview, Screenwriting 101

‘The Last Temptation of Christ’ As a Testament to and an Exploration of Scorsese’s Own Faith