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Cinephilia & Beyond -
  • Filmmaking
    • “I’ll Be Bond”: Arnold Schwarzenegger and James Cameron’s Everything or Nothing Shot at the James Bond Title
      “I’ll Be Bond”: Arnold Schwarzenegger and James Cameron’s Everything or Nothing Shot at the James Bond Title
    • How ‘Once Upon a Time in America’ Became Sergio Leone’s Butchered Swan Song
      How ‘Once Upon a Time in America’ Became Sergio Leone’s Butchered Swan Song
    • Hitchcock’s ‘Vertigo’: The Unrelenting Male Gaze that Blurs the Lines Between Possession and Obsession
      Hitchcock’s ‘Vertigo’: The Unrelenting Male Gaze that Blurs the Lines Between Possession and Obsession
  • Screenwriting
    • “I’ll Be Bond”: Arnold Schwarzenegger and James Cameron’s Everything or Nothing Shot at the James Bond Title
      “I’ll Be Bond”: Arnold Schwarzenegger and James Cameron’s Everything or Nothing Shot at the James Bond Title
    • Hitchcock’s ‘Vertigo’: The Unrelenting Male Gaze that Blurs the Lines Between Possession and Obsession
      Hitchcock’s ‘Vertigo’: The Unrelenting Male Gaze that Blurs the Lines Between Possession and Obsession
    • Paradise Lost: How Martin Scorsese’s ‘Casino’ Charts the Rise and Fall of a Criminal Empire
      Paradise Lost: How Martin Scorsese’s ‘Casino’ Charts the Rise and Fall of a Criminal Empire
  • Interview
    • How ‘Once Upon a Time in America’ Became Sergio Leone’s Butchered Swan Song
      How ‘Once Upon a Time in America’ Became Sergio Leone’s Butchered Swan Song
    • ‘Point Blank’: John Boorman’s Amalgamation of American, British and French Filmmaking Styles
      ‘Point Blank’: John Boorman’s Amalgamation of American, British and French Filmmaking Styles
    • Paradise Lost: How Martin Scorsese’s ‘Casino’ Charts the Rise and Fall of a Criminal Empire
      Paradise Lost: How Martin Scorsese’s ‘Casino’ Charts the Rise and Fall of a Criminal Empire
  • Documentary
    • “I’ll Be Bond”: Arnold Schwarzenegger and James Cameron’s Everything or Nothing Shot at the James Bond Title
      “I’ll Be Bond”: Arnold Schwarzenegger and James Cameron’s Everything or Nothing Shot at the James Bond Title
    • How ‘Once Upon a Time in America’ Became Sergio Leone’s Butchered Swan Song
      How ‘Once Upon a Time in America’ Became Sergio Leone’s Butchered Swan Song
    • Hitchcock’s ‘Vertigo’: The Unrelenting Male Gaze that Blurs the Lines Between Possession and Obsession
      Hitchcock’s ‘Vertigo’: The Unrelenting Male Gaze that Blurs the Lines Between Possession and Obsession
  • Cinematography
    • “I’ll Be Bond”: Arnold Schwarzenegger and James Cameron’s Everything or Nothing Shot at the James Bond Title
      “I’ll Be Bond”: Arnold Schwarzenegger and James Cameron’s Everything or Nothing Shot at the James Bond Title
    • How ‘Once Upon a Time in America’ Became Sergio Leone’s Butchered Swan Song
      How ‘Once Upon a Time in America’ Became Sergio Leone’s Butchered Swan Song
    • Hitchcock’s ‘Vertigo’: The Unrelenting Male Gaze that Blurs the Lines Between Possession and Obsession
      Hitchcock’s ‘Vertigo’: The Unrelenting Male Gaze that Blurs the Lines Between Possession and Obsession
  • Editing
    • ‘The Last Temptation of Christ’ As a Testament to and an Exploration of Scorsese’s Own Faith
      ‘The Last Temptation of Christ’ As a Testament to and an Exploration of Scorsese’s Own Faith
    • 40 Years of Hurt, Face-Hugging Dreams of Breathing: Ridley Scott’s ‘Alien’
      40 Years of Hurt, Face-Hugging Dreams of Breathing: Ridley Scott’s ‘Alien’
    • ‘JFK’: Oliver Stone’s Emotionally Accurate and Masterfully Crafted Trip Down the Rabbit Hole
      ‘JFK’: Oliver Stone’s Emotionally Accurate and Masterfully Crafted Trip Down the Rabbit Hole
  • Short film
    • ‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
      ‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
    • ‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
      ‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
    • ‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More
      ‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More

The Thin Red Line

Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101

Terrence Malick’s ‘The Thin Red Line’: The Traumatic and Poetic Journey into the Heart of Man

  By Sven Mikulec Twenty years have passed between Days of Heaven, Terrence Malick’s second feature film, and The Thin…

Latest Posts

  • “I’ll Be Bond”: Arnold Schwarzenegger and James Cameron’s Everything or Nothing Shot at the James Bond Title
  • How ‘Once Upon a Time in America’ Became Sergio Leone’s Butchered Swan Song

Short of the Month

  • ‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
  • ‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
  • ‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More
  • ‘Hi-Glow Retro’: Alex Morsanutto’s Bullet-Proof Ticket to Feature Filmmaking
  • ‘Time and Again’: The Importance of Family in Aidan Largey’s Nostalgic Time Travel Flick
  • ‘Remote’: Marc Roussel’s Highly Suspenseful Mixture of Time Travel and Home Invasion

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