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Cinephilia & Beyond - Films and Filmmaking Films and Filmmaking
  • Filmmaking
    • Peter Weir’s ‘Dead Poets Society’: An Awe-Inspiring Celebration of the Human Spirit
      Peter Weir’s ‘Dead Poets Society’: An Awe-Inspiring Celebration of the Human Spirit
    • ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
      ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
    • ‘The Fisher King’: Terry Gilliam’s Touching Film About Grief, Trauma and Hope
      ‘The Fisher King’: Terry Gilliam’s Touching Film About Grief, Trauma and Hope
  • Screenwriting
    • Peter Weir’s ‘Dead Poets Society’: An Awe-Inspiring Celebration of the Human Spirit
      Peter Weir’s ‘Dead Poets Society’: An Awe-Inspiring Celebration of the Human Spirit
    • ‘The Fisher King’: Terry Gilliam’s Touching Film About Grief, Trauma and Hope
      ‘The Fisher King’: Terry Gilliam’s Touching Film About Grief, Trauma and Hope
    • ‘The Driver’: Walter Hill Behind the Wheel of a Glorious Experiment
      ‘The Driver’: Walter Hill Behind the Wheel of a Glorious Experiment
  • Interview
    • Peter Weir’s ‘Dead Poets Society’: An Awe-Inspiring Celebration of the Human Spirit
      Peter Weir’s ‘Dead Poets Society’: An Awe-Inspiring Celebration of the Human Spirit
    • ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
      ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
    • ‘The Driver’: Walter Hill Behind the Wheel of a Glorious Experiment
      ‘The Driver’: Walter Hill Behind the Wheel of a Glorious Experiment
  • Documentary
    • ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
      ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
    • ‘The Fisher King’: Terry Gilliam’s Touching Film About Grief, Trauma and Hope
      ‘The Fisher King’: Terry Gilliam’s Touching Film About Grief, Trauma and Hope
    • ‘The Driver’: Walter Hill Behind the Wheel of a Glorious Experiment
      ‘The Driver’: Walter Hill Behind the Wheel of a Glorious Experiment
  • Cinematography
    • Peter Weir’s ‘Dead Poets Society’: An Awe-Inspiring Celebration of the Human Spirit
      Peter Weir’s ‘Dead Poets Society’: An Awe-Inspiring Celebration of the Human Spirit
    • ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
      ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
    • ‘The Fisher King’: Terry Gilliam’s Touching Film About Grief, Trauma and Hope
      ‘The Fisher King’: Terry Gilliam’s Touching Film About Grief, Trauma and Hope
  • Editing
    • ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
      ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
    • No image
      ‘I Wish I Knew How to Quit You’: Ang Lee’s Deeply Tragic ‘Brokeback Mountain’ Smolders with Slow-Burning Despair
    • It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
      It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
  • Short film
    • ‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
      ‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
    • ‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
      ‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
    • ‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More
      ‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More

Sydney Pollack

‘Eyes Wide Shut’: A Tense, Nightmarish Exploration of Marriage and Sexuality in Kubrick’s Ultimate Film
Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101

‘Eyes Wide Shut’: A Tense, Nightmarish Exploration of Marriage and Sexuality in Kubrick’s Ultimate Film

Documentary, Filmmaking, Interview, Screenwriting, Screenwriting 101

‘Jeremiah Johnson’ and the American Errand into the Wilderness Myth

Cinematography, Documentary, Editing, Filmmaking, Screenwriting

‘American Cinema’ explores film history and American culture through the eyes of over 150 Hollywood insiders

Documentary, Filmmaking, Interview, Screenwriting 101

Sydney Pollack’s ‘The Yakuza’: The Merging of Two Worlds in a Timeless Gangster Classic

Filmmaking, Interview, Screenwriting 101

Sydney Pollack’s ‘Three Days of the Condor’ is one of the finest spy thrillers ever filmed

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