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Cinephilia & Beyond -
  • Filmmaking
    • No image
      Neil Marshall’s ‘The Descent’: Humans Are the Scariest Things
    • ‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy
      ‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy
    • Gotham by Elektrisches Licht: Fritz Lang’s ‘Metropolis’
      Gotham by Elektrisches Licht: Fritz Lang’s ‘Metropolis’
  • Screenwriting
    • No image
      Neil Marshall’s ‘The Descent’: Humans Are the Scariest Things
    • ‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy
      ‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy
    • Gotham by Elektrisches Licht: Fritz Lang’s ‘Metropolis’
      Gotham by Elektrisches Licht: Fritz Lang’s ‘Metropolis’
  • Interview
    • Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’
      Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’
    • ‘The Life and Times of Don Luis Buñuel’: The Perfect Window into the Mind of a Groundbreaking Artist
      ‘The Life and Times of Don Luis Buñuel’: The Perfect Window into the Mind of a Groundbreaking Artist
    • How Robert Altman’s Anti-Western Classic ‘McCabe & Mrs. Miller’ Aged Like Fine Wine
      How Robert Altman’s Anti-Western Classic ‘McCabe & Mrs. Miller’ Aged Like Fine Wine
  • Documentary
    • No image
      Neil Marshall’s ‘The Descent’: Humans Are the Scariest Things
    • ‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy
      ‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy
    • Gotham by Elektrisches Licht: Fritz Lang’s ‘Metropolis’
      Gotham by Elektrisches Licht: Fritz Lang’s ‘Metropolis’
  • Cinematography
    • No image
      Neil Marshall’s ‘The Descent’: Humans Are the Scariest Things
    • ‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy
      ‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy
    • Gotham by Elektrisches Licht: Fritz Lang’s ‘Metropolis’
      Gotham by Elektrisches Licht: Fritz Lang’s ‘Metropolis’
  • Editing
    • No image
      Neil Marshall’s ‘The Descent’: Humans Are the Scariest Things
    • Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’
      Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’
    • 40 Years of Hurt, Face-Hugging Dreams of Breathing: Ridley Scott’s ‘Alien’
      40 Years of Hurt, Face-Hugging Dreams of Breathing: Ridley Scott’s ‘Alien’
  • Short film
    • ‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
      ‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
    • ‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
      ‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
    • ‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More
      ‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More

Sidney Lumet

Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101

‘The Verdict’: Sidney Lumet and David Mamet’s Masterpiece as a Blend of a Courtroom Drama and a Personal Redemption Story

‘Network’: Sidney Lumet and Paddy Chayefsky’s Gruesome Prophecy Turned Reality
Cinematography, Filmmaking, Interview, Screenwriting 101

‘Network’: Sidney Lumet and Paddy Chayefsky’s Gruesome Prophecy Turned Reality

Cinematography, Filmmaking, Interview, Screenwriting, Screenwriting 101

Reclaiming the Lost Art of Melodrama in Sidney Lumet’s Unsung Masterpiece: ‘Before the Devil Knows You’re Dead’

Cinematography, Filmmaking, Interview, Screenwriting 101

‘12 Angry Men’: The Everlasting Testament to Sidney Lumet and Reginald Rose’s Filmmaking Prowess

Filmmaking, Interview, Screenwriting, Screenwriting 101

Sidney Lumet and Paddy Chayevsky’s ‘Network’: The Grim Prophecy that Was Once Just Brilliant Satire

Cinematography, Documentary, Editing, Filmmaking, Interview, Screenwriting 101

Sidney Lumet’s ‘Serpico’: One Honest Man’s Struggle Against the System

Filmmaking, Interview, Screenwriting, Screenwriting 101

Sidney Lumet’s ‘Prince of the City’ and the Moral and Psychological Turmoil at the Heart of It

Documentary, Editing, Filmmaking, Interview, Screenwriting 101

Sidney Lumet’s ‘Dog Day Afternoon’ is most likely the one film in the director’s rich career that stayed with us the most

Documentary, Filmmaking, Interview

BBC Omnibus: Documentary profiles of Cassavetes, Lumet, Altman, Tarantino, Ray

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