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Cinephilia & Beyond -
  • Filmmaking
    • No image
      Neil Marshall’s ‘The Descent’: Humans Are the Scariest Things
    • ‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy
      ‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy
    • Gotham by Elektrisches Licht: Fritz Lang’s ‘Metropolis’
      Gotham by Elektrisches Licht: Fritz Lang’s ‘Metropolis’
  • Screenwriting
    • No image
      Neil Marshall’s ‘The Descent’: Humans Are the Scariest Things
    • ‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy
      ‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy
    • Gotham by Elektrisches Licht: Fritz Lang’s ‘Metropolis’
      Gotham by Elektrisches Licht: Fritz Lang’s ‘Metropolis’
  • Interview
    • Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’
      Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’
    • ‘The Life and Times of Don Luis Buñuel’: The Perfect Window into the Mind of a Groundbreaking Artist
      ‘The Life and Times of Don Luis Buñuel’: The Perfect Window into the Mind of a Groundbreaking Artist
    • How Robert Altman’s Anti-Western Classic ‘McCabe & Mrs. Miller’ Aged Like Fine Wine
      How Robert Altman’s Anti-Western Classic ‘McCabe & Mrs. Miller’ Aged Like Fine Wine
  • Documentary
    • No image
      Neil Marshall’s ‘The Descent’: Humans Are the Scariest Things
    • ‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy
      ‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy
    • Gotham by Elektrisches Licht: Fritz Lang’s ‘Metropolis’
      Gotham by Elektrisches Licht: Fritz Lang’s ‘Metropolis’
  • Cinematography
    • No image
      Neil Marshall’s ‘The Descent’: Humans Are the Scariest Things
    • ‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy
      ‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy
    • Gotham by Elektrisches Licht: Fritz Lang’s ‘Metropolis’
      Gotham by Elektrisches Licht: Fritz Lang’s ‘Metropolis’
  • Editing
    • No image
      Neil Marshall’s ‘The Descent’: Humans Are the Scariest Things
    • Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’
      Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’
    • 40 Years of Hurt, Face-Hugging Dreams of Breathing: Ridley Scott’s ‘Alien’
      40 Years of Hurt, Face-Hugging Dreams of Breathing: Ridley Scott’s ‘Alien’
  • Short film
    • ‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
      ‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
    • ‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
      ‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
    • ‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More
      ‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More

Roger Deakins

Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101

‘Kundun’: Martin Scorsese’s Serene Meditation on the Transient Nature of Life

‘No Country for Old Men’: The Coen Brothers and Cormac McCarthy’s Ruthless Examination of Life
Cinematography, Filmmaking, Interview, Screenwriting 101

‘No Country for Old Men’: The Coen Brothers and Cormac McCarthy’s Ruthless Examination of Life

Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101

‘Fargo’: The Unforgettable Dark Comedy that Set the Coen Brothers Up as a Recognizable Voice in American Cinema

‘The Assassination of Jesse James by the Coward Robert Ford’: Andrew Dominik’s Visually Stupefying Exploration of One of America’s Oldest Myths
Cinematography, Filmmaking, Interview, Screenwriting 101

‘The Assassination of Jesse James by the Coward Robert Ford’: Andrew Dominik’s Visually Stupefying Exploration of One of America’s Oldest Myths

Editing, Filmmaking, Interview, Screenwriting 101

‘Homicide’: David Mamet’s Soul-Searching Thriller as a Modern-Day Classic

Cinematography, Documentary, Editing, Filmmaking, Interview, Screenwriting 101

‘Barton Fink’: The Coen Brothers’ Meta Way of Dealing With Writer’s Block

Cinematography, Filmmaking, Interview, Screenwriting 101

‘The Man Who Wasn’t There’: A Lovely, Artistic Exhibition of the Coens’ Filmmaking Prowess

Cinematography, Filmmaking, Interview, Screenwriting 101

“In a perfect world all films would be made by the Coens”

Filmmaking, Interview, Screenwriting, Screenwriting 101

“If you have a dream, get up off your ass and start putting one foot in front of the other”

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