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Films and Filmmaking
Filmmaking
Trickle Down Robonomics—The Predatory Capitalism of ‘RoboCop’
NOC NOC: How ‘Mission: Impossible’ Lit the Fuse of Action Stardom Within Tom Cruise
Preparing for the Worst and Hoping for the Best:
Crises, Isolation and Connection in Julia Neuhaus’ Documentary ‘TEOTWAWKI–The End of the World As We Know It’ (2022)
Screenwriting
NOC NOC: How ‘Mission: Impossible’ Lit the Fuse of Action Stardom Within Tom Cruise
The Sheep That Got Found: ‘Man on Fire’
Spike Lee’s ‘25th Hour’: A Masterful Depiction of a Post-9/11 New York City that Explores Regret, Guilt and Uncertainty
Interview
Trickle Down Robonomics—The Predatory Capitalism of ‘RoboCop’
The Sheep That Got Found: ‘Man on Fire’
‘The Killing of a Chinese Bookie’: Turning Entertainment into Personal Statement
Documentary
Trickle Down Robonomics—The Predatory Capitalism of ‘RoboCop’
Preparing for the Worst and Hoping for the Best:
Crises, Isolation and Connection in Julia Neuhaus’ Documentary ‘TEOTWAWKI–The End of the World As We Know It’ (2022)
The Sheep That Got Found: ‘Man on Fire’
Cinematography
Trickle Down Robonomics—The Predatory Capitalism of ‘RoboCop’
NOC NOC: How ‘Mission: Impossible’ Lit the Fuse of Action Stardom Within Tom Cruise
The Sheep That Got Found: ‘Man on Fire’
Editing
‘The Hill’: Sean Connery’s Sisyphean Bond Break-Out
‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
No image
‘I Wish I Knew How to Quit You’: Ang Lee’s Deeply Tragic ‘Brokeback Mountain’ Smolders with Slow-Burning Despair
Short film
‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More
Pauline Kael
Reviews
Kael Kael Bang Bang: The Pauline Kael/Clint Eastwood Secret Wars
Reviews
Getting Lost at the Movies with Pauline Kael
Films and Filmmaking
