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Filmmaking
Martin Scorsese’s Encounter with Kafka During ‘After Hours’
‘I Am Insane, and You Are My Insanity’: The Captivating World of Terry Gilliam’s ’12 Monkeys’
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The Artistic Triumph of Sir Alan Parker’s Still Beating ‘Angel Heart’
Screenwriting
Martin Scorsese’s Encounter with Kafka During ‘After Hours’
‘I Am Insane, and You Are My Insanity’: The Captivating World of Terry Gilliam’s ’12 Monkeys’
No image
The Artistic Triumph of Sir Alan Parker’s Still Beating ‘Angel Heart’
Interview
Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’
‘The Life and Times of Don Luis Buñuel’: The Perfect Window into the Mind of a Groundbreaking Artist
How Robert Altman’s Anti-Western Classic ‘McCabe & Mrs. Miller’ Aged Like Fine Wine
Documentary
Martin Scorsese’s Encounter with Kafka During ‘After Hours’
‘I Am Insane, and You Are My Insanity’: The Captivating World of Terry Gilliam’s ’12 Monkeys’
No image
The Artistic Triumph of Sir Alan Parker’s Still Beating ‘Angel Heart’
Cinematography
Martin Scorsese’s Encounter with Kafka During ‘After Hours’
‘I Am Insane, and You Are My Insanity’: The Captivating World of Terry Gilliam’s ’12 Monkeys’
No image
The Artistic Triumph of Sir Alan Parker’s Still Beating ‘Angel Heart’
Editing
Scorsese’s Sexless Period Drama ‘The Age of Innocence’ as a Visceral Depiction of Emotional Starvation and Internalized Violence
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Neil Marshall’s ‘The Descent’: Humans Are the Scariest Things
Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’
Short film
‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More
Pauline Kael
Reviews
Kael Kael Bang Bang: The Pauline Kael/Clint Eastwood Secret Wars
Reviews
Getting Lost at the Movies with Pauline Kael
