
Michael Ballhaus

Martin Scorsese’s Encounter with Kafka

Scorsese’s Sexless Period Drama ‘The Age of Innocence’ as a Visceral Depiction of Emotional Starvation and Internalized Violence

How Francis Ford Coppola Breathed New Life into ‘Bram Stoker’s Dracula’

Play for Play: How The Color of Money’s ‘One For Them’ Assignment Reignited Martin Scorsese’s Hunger for the Work

‘Goodfellas’ at 30: Martin Scorsese’s Anthropological Goodlife Through a Lens

‘The Last Temptation of Christ’ As a Testament to and an Exploration of Scorsese’s Own Faith
