Michael Ballhaus
Martin Scorsese’s Encounter with Kafka
Scorsese’s Sexless Period Drama ‘The Age of Innocence’ as a Visceral Depiction of Emotional Starvation and Internalized Violence
How Francis Ford Coppola Breathed New Life into ‘Bram Stoker’s Dracula’
Play for Play: How The Color of Money’s ‘One For Them’ Assignment Reignited Martin Scorsese’s Hunger for the Work
‘Goodfellas’ at 30: Martin Scorsese’s Anthropological Goodlife Through a Lens
‘The Last Temptation of Christ’ As a Testament to and an Exploration of Scorsese’s Own Faith
