Michael Ballhaus

Martin Scorsese’s Encounter with Kafka During ‘After Hours’

Cinematography, Documentary, Filmmaking, Screenwriting, Screenwriting 101

Martin Scorsese’s Encounter with Kafka During ‘After Hours’

Scorsese’s Sexless Period Drama ‘The Age of Innocence’ as a Visceral Depiction of Emotional Starvation and Internalized Violence

Cinematography, Documentary, Editing, Filmmaking, Screenwriting, Screenwriting 101

Scorsese’s Sexless Period Drama ‘The Age of Innocence’ as a Visceral Depiction of Emotional Starvation and Internalized Violence

Cinematography, Documentary, Filmmaking, Screenwriting, Screenwriting 101

How Francis Ford Coppola Breathed New Life into ‘Bram Stoker’s Dracula’

Cinematography, Filmmaking, Interview, Screenwriting

Play for Play: How The Color of Money’s ‘One For Them’ Assignment Reignited Martin Scorsese’s Hunger for the Work

‘Goodfellas’ at 30: Martin Scorsese’s Anthropological Goodlife Through a Lens

Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101

‘Goodfellas’ at 30: Martin Scorsese’s Anthropological Goodlife Through a Lens

Cinematography, Editing, Filmmaking, Interview, Screenwriting 101

‘The Last Temptation of Christ’ As a Testament to and an Exploration of Scorsese’s Own Faith

Cinematography, Documentary, Editing, Filmmaking, Screenwriting 101

‘The Age of Innocence’: Scorsese’s Strikingly Passionate Depiction of Unconsummated Love