Lee Marvin

‘Point Blank’: John Boorman’s Amalgamation of American, British and French Filmmaking Styles

Point Blank poster art by Tony Stella https://www.tony-stella.com/   By Koraljka Suton   British filmmaker John Boorman started out by…

3 years ago

A Carpenter of Death and His Four Horsemen: Samuel Fuller’s ‘The Big Red One’

  By Tim Pelan   In Hollywood, personal films can often become bloated vanity projects. With Samuel Fuller’s semi-autobiographical WWII…

5 years ago

Slaughterhouse Twelve: Robert Aldrich’s ‘The Dirty Dozen’

  By Tim Pelan In the mid-1960s, director Robert Aldrich was coming up for air after the thick stew melodramas…

5 years ago

‘Bad Day at Black Rock’: John Sturges’ Audacious and Culturally Significant Masterfully Suspenseful Drama

  By Sven Mikulec One of the biggest compliments that John Sturges’ Bad Day at Black Rock received was when…

8 years ago