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	<title>Koraljka Suton Archives • Cinephilia &amp; Beyond</title>
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	<title>Koraljka Suton Archives • Cinephilia &amp; Beyond</title>
	<link>https://cinephiliabeyond.org</link>
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		<title>How Robert Altman’s Anti-Western Classic ‘McCabe &#038; Mrs. Miller’ Aged Like Fine Wine</title>
		<link>https://cinephiliabeyond.org/mccabe-mrs-miller/</link>
					<comments>https://cinephiliabeyond.org/mccabe-mrs-miller/#comments</comments>
		
		<dc:creator><![CDATA[cinephiliabeyond]]></dc:creator>
		<pubDate>Wed, 24 Jun 2026 09:16:41 +0000</pubDate>
				<category><![CDATA[Cinematography]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Screenwriting 101]]></category>
		<category><![CDATA[Brian McKay]]></category>
		<category><![CDATA[David Foster]]></category>
		<category><![CDATA[Julie Christie]]></category>
		<category><![CDATA[Koraljka Suton]]></category>
		<category><![CDATA[Leonard Cohen]]></category>
		<category><![CDATA[McCabe & Mrs. Miller]]></category>
		<category><![CDATA[Robert Altman]]></category>
		<category><![CDATA[Vilmos Zsigmond]]></category>
		<category><![CDATA[Warren Beatty]]></category>
		<guid isPermaLink="false">https://cinephiliabeyond.org/?p=39576</guid>

					<description><![CDATA[<p>&#160; By Koraljka Suton &#160; The legendary director Robert Altman was given an Academy Honorary Award in 2006, “in recognition of [&#8230;]</p>
The post <a href="https://cinephiliabeyond.org/mccabe-mrs-miller/">How Robert Altman’s Anti-Western Classic ‘McCabe & Mrs. Miller’ Aged Like Fine Wine</a> appeared first on <a href="https://cinephiliabeyond.org">Cinephilia & Beyond</a>.]]></description>
		
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		<title>&#8216;Stalker&#8217;: Andrei Tarkovsky’s Merger of Contemplative Style and Transcendental Substance Designed to Put Us in the Zone</title>
		<link>https://cinephiliabeyond.org/stalker/</link>
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		<dc:creator><![CDATA[cinephiliabeyond]]></dc:creator>
		<pubDate>Tue, 19 May 2026 12:21:30 +0000</pubDate>
				<category><![CDATA[Cinematography]]></category>
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		<category><![CDATA[Screenwriting]]></category>
		<category><![CDATA[Screenwriting 101]]></category>
		<category><![CDATA[Alexander Kaidanovsky]]></category>
		<category><![CDATA[Alexander Knyazhinsky]]></category>
		<category><![CDATA[Andrei Tarkovsky]]></category>
		<category><![CDATA[Arkadiy Strugatskiy]]></category>
		<category><![CDATA[Boris Strugatskiy]]></category>
		<category><![CDATA[Eduard Artemiev]]></category>
		<category><![CDATA[Georgy Rerberg]]></category>
		<category><![CDATA[Koraljka Suton]]></category>
		<category><![CDATA[Leonid Kalashnikov]]></category>
		<category><![CDATA[Lyudmila Feiginova]]></category>
		<category><![CDATA[Stalker]]></category>
		<category><![CDATA[Vladimir Sharun]]></category>
		<guid isPermaLink="false">https://cinephiliabeyond.org/?p=42489</guid>

					<description><![CDATA[<p>&#160; By Koraljka Suton &#160; &#8216;Stalker&#8217; is not a desperate film. I don’t think a work of art can be [&#8230;]</p>
The post <a href="https://cinephiliabeyond.org/stalker/">‘Stalker’: Andrei Tarkovsky’s Merger of Contemplative Style and Transcendental Substance Designed to Put Us in the Zone</a> appeared first on <a href="https://cinephiliabeyond.org">Cinephilia & Beyond</a>.]]></description>
		
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		<title>Hitchcock&#8217;s ‘Vertigo’: The Unrelenting Male Gaze that Blurs the Lines Between Possession and Obsession</title>
		<link>https://cinephiliabeyond.org/vertigo/</link>
					<comments>https://cinephiliabeyond.org/vertigo/#comments</comments>
		
		<dc:creator><![CDATA[cinephiliabeyond]]></dc:creator>
		<pubDate>Sat, 09 May 2026 12:36:58 +0000</pubDate>
				<category><![CDATA[Cinematography]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[Screenwriting]]></category>
		<category><![CDATA[Screenwriting 101]]></category>
		<category><![CDATA[Alec Coppel]]></category>
		<category><![CDATA[Alfred Hitchcock]]></category>
		<category><![CDATA[Bernard Herrmann]]></category>
		<category><![CDATA[Henry Bumstead]]></category>
		<category><![CDATA[james stewart]]></category>
		<category><![CDATA[Kim Novak]]></category>
		<category><![CDATA[Koraljka Suton]]></category>
		<category><![CDATA[Samuel Taylor]]></category>
		<category><![CDATA[Vertigo]]></category>
		<guid isPermaLink="false">https://cinephiliabeyond.org/?p=39930</guid>

					<description><![CDATA[<p>&#160; By Koraljka Suton &#160; It is no secret that the late Alfred Hitchcock was—and still is—not only one of [&#8230;]</p>
The post <a href="https://cinephiliabeyond.org/vertigo/">Hitchcock’s ‘Vertigo’: The Unrelenting Male Gaze that Blurs the Lines Between Possession and Obsession</a> appeared first on <a href="https://cinephiliabeyond.org">Cinephilia & Beyond</a>.]]></description>
		
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		<title>‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core</title>
		<link>https://cinephiliabeyond.org/catch-me-if-you-can/</link>
					<comments>https://cinephiliabeyond.org/catch-me-if-you-can/#respond</comments>
		
		<dc:creator><![CDATA[cinephiliabeyond]]></dc:creator>
		<pubDate>Thu, 25 Dec 2025 22:50:52 +0000</pubDate>
				<category><![CDATA[Cinematography]]></category>
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		<category><![CDATA[Catch Me If You Can]]></category>
		<category><![CDATA[Janusz Kaminski]]></category>
		<category><![CDATA[Jeff Nathanson]]></category>
		<category><![CDATA[Koraljka Suton]]></category>
		<category><![CDATA[Leonardo DiCaprio]]></category>
		<category><![CDATA[Michael Kahn]]></category>
		<category><![CDATA[Steven Spielberg]]></category>
		<category><![CDATA[Tom Hanks]]></category>
		<guid isPermaLink="false">https://cinephiliabeyond.org/?p=50622</guid>

					<description><![CDATA[<p>Catch Me If You Can poster art by Mike Pappa &#160; By Koraljka Suton &#160; Part of the inspiration of [&#8230;]</p>
The post <a href="https://cinephiliabeyond.org/catch-me-if-you-can/">‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core</a> appeared first on <a href="https://cinephiliabeyond.org">Cinephilia & Beyond</a>.]]></description>
		
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		<item>
		<title>‘Heat’ at 30: Michael Mann’s Meticulous Masterpiece of Both Style and Substance That Transcends Genre</title>
		<link>https://cinephiliabeyond.org/heat/</link>
					<comments>https://cinephiliabeyond.org/heat/#respond</comments>
		
		<dc:creator><![CDATA[cinephiliabeyond]]></dc:creator>
		<pubDate>Mon, 15 Dec 2025 13:38:30 +0000</pubDate>
				<category><![CDATA[Cinematography]]></category>
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		<category><![CDATA[Al Pacino]]></category>
		<category><![CDATA[Amy Brenneman]]></category>
		<category><![CDATA[Dante Spinotti]]></category>
		<category><![CDATA[Elliot Goldenthal]]></category>
		<category><![CDATA[Heat]]></category>
		<category><![CDATA[Koraljka Suton]]></category>
		<category><![CDATA[Michael Mann]]></category>
		<category><![CDATA[Natalie Portman]]></category>
		<category><![CDATA[Robert De Niro]]></category>
		<category><![CDATA[Val Kilmer]]></category>
		<category><![CDATA[William Goldenberg]]></category>
		<guid isPermaLink="false">https://cinephiliabeyond.org/?p=42104</guid>

					<description><![CDATA[<p>Heat poster art by Ignacio RC, https://ignaciorc.com/heat &#160; By Koraljka Suton &#160; A guy told me one time, “Don&#8217;t let [&#8230;]</p>
The post <a href="https://cinephiliabeyond.org/heat/">‘Heat’ at 30: Michael Mann’s Meticulous Masterpiece of Both Style and Substance That Transcends Genre</a> appeared first on <a href="https://cinephiliabeyond.org">Cinephilia & Beyond</a>.]]></description>
		
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		<title>&#8216;Network&#8217;: Sidney Lumet and Paddy Chayefsky&#8217;s Gruesome Prophecy Turned Reality—Revisiting a Masterpiece on Its 49th Anniversary</title>
		<link>https://cinephiliabeyond.org/network/</link>
					<comments>https://cinephiliabeyond.org/network/#respond</comments>
		
		<dc:creator><![CDATA[cinephiliabeyond]]></dc:creator>
		<pubDate>Thu, 27 Nov 2025 16:40:02 +0000</pubDate>
				<category><![CDATA[Cinematography]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Screenwriting 101]]></category>
		<category><![CDATA[Alan Heim]]></category>
		<category><![CDATA[Beatrice Straight]]></category>
		<category><![CDATA[Faye Dunaway]]></category>
		<category><![CDATA[Koraljka Suton]]></category>
		<category><![CDATA[Ned Beatty]]></category>
		<category><![CDATA[Network]]></category>
		<category><![CDATA[Owen Roizman]]></category>
		<category><![CDATA[Paddy Chayefsky]]></category>
		<category><![CDATA[Peter Finch]]></category>
		<category><![CDATA[Sidney Lumet]]></category>
		<category><![CDATA[William Holden]]></category>
		<guid isPermaLink="false">https://cinephiliabeyond.org/?p=40498</guid>

					<description><![CDATA[<p>&#160; By Koraljka Suton &#160; Once it opened, everybody kept saying, ‘Oh, what a brilliant satire.’ But Paddy and I [&#8230;]</p>
The post <a href="https://cinephiliabeyond.org/network/">‘Network’: Sidney Lumet and Paddy Chayefsky’s Gruesome Prophecy Turned Reality—Revisiting a Masterpiece on Its 49th Anniversary</a> appeared first on <a href="https://cinephiliabeyond.org">Cinephilia & Beyond</a>.]]></description>
		
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		<item>
		<title>‘Frankenstein’: James Whale’s Macabre Take on One of the Most Sympathetic Characters Ever Created in the World of English Letters</title>
		<link>https://cinephiliabeyond.org/frankenstein/</link>
					<comments>https://cinephiliabeyond.org/frankenstein/#respond</comments>
		
		<dc:creator><![CDATA[cinephiliabeyond]]></dc:creator>
		<pubDate>Fri, 21 Nov 2025 13:16:19 +0000</pubDate>
				<category><![CDATA[Cinematography]]></category>
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		<category><![CDATA[Arthur Edeson]]></category>
		<category><![CDATA[Boris Karloff]]></category>
		<category><![CDATA[Francis Edward Faragoh]]></category>
		<category><![CDATA[Frankenstein]]></category>
		<category><![CDATA[Garrett Fort]]></category>
		<category><![CDATA[Jack Pierce]]></category>
		<category><![CDATA[James Whale]]></category>
		<category><![CDATA[Koraljka Suton]]></category>
		<category><![CDATA[Mary Shelley]]></category>
		<category><![CDATA[Richard Schayer]]></category>
		<guid isPermaLink="false">https://cinephiliabeyond.org/?p=36329</guid>

					<description><![CDATA[<p>&#160; By Koraljka Suton &#160; Look! It&#8217;s moving. It&#8217;s alive. It&#8217;s alive&#8230; It&#8217;s alive, it&#8217;s moving, it&#8217;s alive, it&#8217;s alive, [&#8230;]</p>
The post <a href="https://cinephiliabeyond.org/frankenstein/">‘Frankenstein’: James Whale’s Macabre Take on One of the Most Sympathetic Characters Ever Created in the World of English Letters</a> appeared first on <a href="https://cinephiliabeyond.org">Cinephilia & Beyond</a>.]]></description>
		
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		<title>&#8216;Gravity&#8217; at 12: The Pain of Isolation and the Importance of Connection in the Face of Adversity</title>
		<link>https://cinephiliabeyond.org/gravity/</link>
					<comments>https://cinephiliabeyond.org/gravity/#respond</comments>
		
		<dc:creator><![CDATA[cinephiliabeyond]]></dc:creator>
		<pubDate>Sat, 04 Oct 2025 20:05:10 +0000</pubDate>
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		<category><![CDATA[Alfonso Cuarón]]></category>
		<category><![CDATA[Chris Lawrence]]></category>
		<category><![CDATA[David Shirk]]></category>
		<category><![CDATA[Emmanuel “Chivo” Lubezki]]></category>
		<category><![CDATA[Emmanuel Lubezki]]></category>
		<category><![CDATA[Gaspar Noé]]></category>
		<category><![CDATA[George Clooney]]></category>
		<category><![CDATA[Gravity]]></category>
		<category><![CDATA[Jonás Cuarón]]></category>
		<category><![CDATA[Koraljka Suton]]></category>
		<category><![CDATA[Neil Corbould]]></category>
		<category><![CDATA[Sandra Bullock]]></category>
		<category><![CDATA[Tim Webber]]></category>
		<guid isPermaLink="false">https://cinephiliabeyond.org/?p=52725</guid>

					<description><![CDATA[<p>&#160; By Koraljka Suton &#160; In 2013, a thrillingly ambitious, yet incredibly intimate science fiction drama set in space and [&#8230;]</p>
The post <a href="https://cinephiliabeyond.org/gravity/">‘Gravity’ at 12: The Pain of Isolation and the Importance of Connection in the Face of Adversity</a> appeared first on <a href="https://cinephiliabeyond.org">Cinephilia & Beyond</a>.]]></description>
		
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		<title>‘After Hours’ at 40: Celebrating Scorsese’s Kafka-Inspired New York Odyssey</title>
		<link>https://cinephiliabeyond.org/after-hours/</link>
					<comments>https://cinephiliabeyond.org/after-hours/#comments</comments>
		
		<dc:creator><![CDATA[Sven Mikulec]]></dc:creator>
		<pubDate>Thu, 11 Sep 2025 21:28:39 +0000</pubDate>
				<category><![CDATA[Cinematography]]></category>
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		<category><![CDATA[Catherine O'Hara]]></category>
		<category><![CDATA[Griffin Dunne]]></category>
		<category><![CDATA[Howard Shore]]></category>
		<category><![CDATA[Joe Frank]]></category>
		<category><![CDATA[John Heard]]></category>
		<category><![CDATA[Joseph Minion]]></category>
		<category><![CDATA[Koraljka Suton]]></category>
		<category><![CDATA[Linda Fiorentino]]></category>
		<category><![CDATA[Martin Scorsese]]></category>
		<category><![CDATA[Michael Ballhaus]]></category>
		<category><![CDATA[Rosanna Arquette]]></category>
		<category><![CDATA[Teri Garr]]></category>
		<category><![CDATA[Thelma Schoonmaker]]></category>
		<category><![CDATA[Verna Bloom]]></category>
		<guid isPermaLink="false">https://cinephiliabeyond.org/?p=47485</guid>

					<description><![CDATA[<p>&#160; By Koraljka Suton &#160; &#8216;After Hours&#8217; was like an independent film. It was shorter and cheaper. I just wanted [&#8230;]</p>
The post <a href="https://cinephiliabeyond.org/after-hours/">‘After Hours’ at 40: Celebrating Scorsese’s Kafka-Inspired New York Odyssey</a> appeared first on <a href="https://cinephiliabeyond.org">Cinephilia & Beyond</a>.]]></description>
		
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		<title>&#8216;Saving Private Ryan&#8217;: Spielberg&#8217;s Groundbreaking WWII Gem That Redefined the War Film Genre</title>
		<link>https://cinephiliabeyond.org/saving-private-ryan-spielbergs-groundbreaking-wwii-gem-that-redefined-the-war-film-genre/</link>
					<comments>https://cinephiliabeyond.org/saving-private-ryan-spielbergs-groundbreaking-wwii-gem-that-redefined-the-war-film-genre/#respond</comments>
		
		<dc:creator><![CDATA[Sven Mikulec]]></dc:creator>
		<pubDate>Tue, 19 Aug 2025 23:56:38 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
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		<category><![CDATA[Screenwriting 101]]></category>
		<category><![CDATA[Janusz Kaminski]]></category>
		<category><![CDATA[John Williams]]></category>
		<category><![CDATA[Koraljka Suton]]></category>
		<category><![CDATA[Matt Damon]]></category>
		<category><![CDATA[Michael Kahn]]></category>
		<category><![CDATA[Robert Rodat]]></category>
		<category><![CDATA[Steven Spielberg]]></category>
		<category><![CDATA[Tom Hanks]]></category>
		<category><![CDATA[Tom Sizemore]]></category>
		<guid isPermaLink="false">https://cinephiliabeyond.org/?p=60085</guid>

					<description><![CDATA[<p>&#160; By Koraljka Suton &#160; Born in 1946 in Ohio to a Jewish family, Steven Spielberg has grown to become [&#8230;]</p>
The post <a href="https://cinephiliabeyond.org/saving-private-ryan-spielbergs-groundbreaking-wwii-gem-that-redefined-the-war-film-genre/">‘Saving Private Ryan’: Spielberg’s Groundbreaking WWII Gem That Redefined the War Film Genre</a> appeared first on <a href="https://cinephiliabeyond.org">Cinephilia & Beyond</a>.]]></description>
		
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