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Cinephilia & Beyond - Films and Filmmaking Films and Filmmaking
  • Filmmaking
    • The Sheep That Got Found: ‘Man on Fire’
      The Sheep That Got Found: ‘Man on Fire’
    • ‘The Killing of a Chinese Bookie’: Turning Entertainment into Personal Statement
      ‘The Killing of a Chinese Bookie’: Turning Entertainment into Personal Statement
    • Spike Lee’s ‘25th Hour’: A Masterful Depiction of a Post-9/11 New York City that Explores Regret, Guilt and Uncertainty
      Spike Lee’s ‘25th Hour’: A Masterful Depiction of a Post-9/11 New York City that Explores Regret, Guilt and Uncertainty
  • Screenwriting
    • The Sheep That Got Found: ‘Man on Fire’
      The Sheep That Got Found: ‘Man on Fire’
    • Spike Lee’s ‘25th Hour’: A Masterful Depiction of a Post-9/11 New York City that Explores Regret, Guilt and Uncertainty
      Spike Lee’s ‘25th Hour’: A Masterful Depiction of a Post-9/11 New York City that Explores Regret, Guilt and Uncertainty
    • We Can Mis-Remember it 80s-Style: ‘Total Recall’ (1990) Was the Last Gasp 80s Ultraviolent Action Extravaganza for a New Decade
      We Can Mis-Remember it 80s-Style: ‘Total Recall’ (1990) Was the Last Gasp 80s Ultraviolent Action Extravaganza for a New Decade
  • Interview
    • The Sheep That Got Found: ‘Man on Fire’
      The Sheep That Got Found: ‘Man on Fire’
    • ‘The Killing of a Chinese Bookie’: Turning Entertainment into Personal Statement
      ‘The Killing of a Chinese Bookie’: Turning Entertainment into Personal Statement
    • Spike Lee’s ‘25th Hour’: A Masterful Depiction of a Post-9/11 New York City that Explores Regret, Guilt and Uncertainty
      Spike Lee’s ‘25th Hour’: A Masterful Depiction of a Post-9/11 New York City that Explores Regret, Guilt and Uncertainty
  • Documentary
    • The Sheep That Got Found: ‘Man on Fire’
      The Sheep That Got Found: ‘Man on Fire’
    • ‘The Killing of a Chinese Bookie’: Turning Entertainment into Personal Statement
      ‘The Killing of a Chinese Bookie’: Turning Entertainment into Personal Statement
    • Spike Lee’s ‘25th Hour’: A Masterful Depiction of a Post-9/11 New York City that Explores Regret, Guilt and Uncertainty
      Spike Lee’s ‘25th Hour’: A Masterful Depiction of a Post-9/11 New York City that Explores Regret, Guilt and Uncertainty
  • Cinematography
    • The Sheep That Got Found: ‘Man on Fire’
      The Sheep That Got Found: ‘Man on Fire’
    • ‘The Killing of a Chinese Bookie’: Turning Entertainment into Personal Statement
      ‘The Killing of a Chinese Bookie’: Turning Entertainment into Personal Statement
    • Spike Lee’s ‘25th Hour’: A Masterful Depiction of a Post-9/11 New York City that Explores Regret, Guilt and Uncertainty
      Spike Lee’s ‘25th Hour’: A Masterful Depiction of a Post-9/11 New York City that Explores Regret, Guilt and Uncertainty
  • Editing
    • ‘The Hill’: Sean Connery’s Sisyphean Bond Break-Out
      ‘The Hill’: Sean Connery’s Sisyphean Bond Break-Out
    • ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
      ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
    • No image
      ‘I Wish I Knew How to Quit You’: Ang Lee’s Deeply Tragic ‘Brokeback Mountain’ Smolders with Slow-Burning Despair
  • Short film
    • ‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
      ‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
    • ‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
      ‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
    • ‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More
      ‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More

John Milius

Once Upon a Time… In the Philippines: Francis Ford Coppola’s ‘Apocalypse Now’ Is a Three-Time Prime Cut of Film-Making Largesse
Cinematography, Filmmaking, Interview, Screenwriting, Screenwriting 101

Once Upon a Time… In the Philippines: Francis Ford Coppola’s ‘Apocalypse Now’ Is a Three-Time Prime Cut of Film-Making Largesse

Documentary, Filmmaking, Interview, Screenwriting 101

‘Do You Want to Live Forever?’—John Milius’ ‘Conan the Barbarian’

Documentary, Filmmaking, Interview, Screenwriting, Screenwriting 101

‘Jeremiah Johnson’ and the American Errand into the Wilderness Myth

Cinematography, Documentary, Editing, Filmmaking, Screenwriting

‘American Cinema’ explores film history and American culture through the eyes of over 150 Hollywood insiders

Filmmaking, Interview, Screenwriting

‘The Life and Times of Judge Roy Bean’: An Underappreciated Elegy to the Dying West

Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101

Francis Ford Coppola’s ‘Apocalypse Now’ must be the key lecture in anyone’s filmmaking education

Filmmaking, Interview, Screenwriting

“I was never conscious of my screenplays having any acts. It’s all bullshit”

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