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Cinephilia & Beyond -
  • Filmmaking
    • It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
      It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
    • Martin Scorsese’s Encounter with Kafka During ‘After Hours’
      Martin Scorsese’s Encounter with Kafka During ‘After Hours’
    • ‘I Am Insane, and You Are My Insanity’: The Captivating World of Terry Gilliam’s ’12 Monkeys’
      ‘I Am Insane, and You Are My Insanity’: The Captivating World of Terry Gilliam’s ’12 Monkeys’
  • Screenwriting
    • It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
      It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
    • Martin Scorsese’s Encounter with Kafka During ‘After Hours’
      Martin Scorsese’s Encounter with Kafka During ‘After Hours’
    • ‘I Am Insane, and You Are My Insanity’: The Captivating World of Terry Gilliam’s ’12 Monkeys’
      ‘I Am Insane, and You Are My Insanity’: The Captivating World of Terry Gilliam’s ’12 Monkeys’
  • Interview
    • It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
      It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
    • Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’
      Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’
    • ‘The Life and Times of Don Luis Buñuel’: The Perfect Window into the Mind of a Groundbreaking Artist
      ‘The Life and Times of Don Luis Buñuel’: The Perfect Window into the Mind of a Groundbreaking Artist
  • Documentary
    • It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
      It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
    • Martin Scorsese’s Encounter with Kafka During ‘After Hours’
      Martin Scorsese’s Encounter with Kafka During ‘After Hours’
    • ‘I Am Insane, and You Are My Insanity’: The Captivating World of Terry Gilliam’s ’12 Monkeys’
      ‘I Am Insane, and You Are My Insanity’: The Captivating World of Terry Gilliam’s ’12 Monkeys’
  • Cinematography
    • It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
      It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
    • Martin Scorsese’s Encounter with Kafka During ‘After Hours’
      Martin Scorsese’s Encounter with Kafka During ‘After Hours’
    • ‘I Am Insane, and You Are My Insanity’: The Captivating World of Terry Gilliam’s ’12 Monkeys’
      ‘I Am Insane, and You Are My Insanity’: The Captivating World of Terry Gilliam’s ’12 Monkeys’
  • Editing
    • It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
      It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
    • Scorsese’s Sexless Period Drama ‘The Age of Innocence’ as a Visceral Depiction of Emotional Starvation and Internalized Violence
      Scorsese’s Sexless Period Drama ‘The Age of Innocence’ as a Visceral Depiction of Emotional Starvation and Internalized Violence
    • No image
      Neil Marshall’s ‘The Descent’: Humans Are the Scariest Things
  • Short film
    • ‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
      ‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
    • ‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
      ‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
    • ‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More
      ‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More

Jamie Foxx

Take It to the Limit One More Time:<br> Michael Mann’s ‘Miami Vice’
Cinematography, Filmmaking, Interview, Screenwriting 101

Take It to the Limit One More Time:
Michael Mann’s ‘Miami Vice’

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