james stewart

Hitchcock’s ‘Vertigo’: The Unrelenting Male Gaze that Blurs the Lines Between Possession and Obsession

  By Koraljka Suton   It is no secret that the late Alfred Hitchcock was—and still is—not only one of…

3 years ago

‘Rear Window’: Hitchcock’s Cinematic Exploration of Voyeurism Disguised as a Top-Notch Thriller

  By Sven Mikulec For all our education and filmwatching experience, we still haven't found a better example of a…

8 years ago

‘The Man Who Knew Too Much’: The Thriller Master’s Only Remake

The only remake Alfred Hitchcock ever made, the 1956 version of The Man Who Knew Too Much is an exciting,…

8 years ago