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Cinephilia & Beyond -
  • Filmmaking
    • ‘Point Blank’: John Boorman’s Amalgamation of American, British and French Filmmaking Styles
      ‘Point Blank’: John Boorman’s Amalgamation of American, British and French Filmmaking Styles
    • ‘Big John’: A 75-Minute Precious Exploration of John Carpenter’s Life, Work and Ways
      ‘Big John’: A 75-Minute Precious Exploration of John Carpenter’s Life, Work and Ways
    • How ‘Once Upon a Time in America’ Became Sergio Leone’s Butchered Swan Song
      How ‘Once Upon a Time in America’ Became Sergio Leone’s Butchered Swan Song
  • Screenwriting
    • ‘A Woman Under the Influence’: Cassavetes’ Intense and Emotionally Exhausting Slice of Life
      ‘A Woman Under the Influence’: Cassavetes’ Intense and Emotionally Exhausting Slice of Life
    • The Future is Now: Alfonso Cuarón’s ‘Children of Men’ Paints a Bleak Picture of a World Devoid of Humanity
      The Future is Now: Alfonso Cuarón’s ‘Children of Men’ Paints a Bleak Picture of a World Devoid of Humanity
    • And Unto Dust We Shall Return: On Martin Scorsese’s ‘The Irishman’
      And Unto Dust We Shall Return: On Martin Scorsese’s ‘The Irishman’
  • Interview
    • ‘Point Blank’: John Boorman’s Amalgamation of American, British and French Filmmaking Styles
      ‘Point Blank’: John Boorman’s Amalgamation of American, British and French Filmmaking Styles
    • ‘Big John’: A 75-Minute Precious Exploration of John Carpenter’s Life, Work and Ways
      ‘Big John’: A 75-Minute Precious Exploration of John Carpenter’s Life, Work and Ways
    • How ‘Once Upon a Time in America’ Became Sergio Leone’s Butchered Swan Song
      How ‘Once Upon a Time in America’ Became Sergio Leone’s Butchered Swan Song
  • Documentary
    • ‘Point Blank’: John Boorman’s Amalgamation of American, British and French Filmmaking Styles
      ‘Point Blank’: John Boorman’s Amalgamation of American, British and French Filmmaking Styles
    • ‘Big John’: A 75-Minute Precious Exploration of John Carpenter’s Life, Work and Ways
      ‘Big John’: A 75-Minute Precious Exploration of John Carpenter’s Life, Work and Ways
    • How ‘Once Upon a Time in America’ Became Sergio Leone’s Butchered Swan Song
      How ‘Once Upon a Time in America’ Became Sergio Leone’s Butchered Swan Song
  • Cinematography
    • ‘Point Blank’: John Boorman’s Amalgamation of American, British and French Filmmaking Styles
      ‘Point Blank’: John Boorman’s Amalgamation of American, British and French Filmmaking Styles
    • How ‘Once Upon a Time in America’ Became Sergio Leone’s Butchered Swan Song
      How ‘Once Upon a Time in America’ Became Sergio Leone’s Butchered Swan Song
    • Rats In the Attic: William Friedkin’s ‘The Exorcist’
      Rats In the Attic: William Friedkin’s ‘The Exorcist’
  • Editing
    • 40 Years of Hurt, Face-Hugging Dreams of Breathing: Ridley Scott’s ‘Alien’
      40 Years of Hurt, Face-Hugging Dreams of Breathing: Ridley Scott’s ‘Alien’
    • ‘JFK’: Oliver Stone’s Emotionally Accurate and Masterfully Crafted Trip Down the Rabbit Hole
      ‘JFK’: Oliver Stone’s Emotionally Accurate and Masterfully Crafted Trip Down the Rabbit Hole
    • Approaching Menace: The American Pathology of Martin Scorsese’s ‘Taxi Driver’
      Approaching Menace: The American Pathology of Martin Scorsese’s ‘Taxi Driver’
  • Short film
    • ‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
      ‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
    • ‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
      ‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
    • ‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More
      ‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More

James Cameron

New Model Arnie: How James Cameron’s ‘Terminator 2: Judgment Day’ Held True to Its Exploitation Roots Whilst Remodelling the Action Blockbuster Template
Cinematography, Documentary, Filmmaking, Interview, Screenwriting, Screenwriting 101

New Model Arnie: How James Cameron’s ‘Terminator 2: Judgment Day’ Held True to Its Exploitation Roots Whilst Remodelling the Action Blockbuster Template

Cinematography, Documentary, Filmmaking, Screenwriting, Screenwriting 101

“I’ll Be Bond”: Arnold Schwarzenegger and James Cameron’s Everything or Nothing Shot at the James Bond Title

Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101

The Risk Always Lives: Words to Live by On the Set of James Cameron’s ‘Aliens’

Cinematography, Filmmaking, Interview, Screenwriting 101

‘The Abyss’: James Cameron’s Exploration of Humanity and Love in the Heart of the Ocean

Cinematography, Filmmaking, Interview, Screenwriting 101

‘Strange Days’: Kathryn Bigelow’s Thrilling Sci-Fi that Doesn’t Feel As Strange As It Should

Filmmaking, Interview, Screenwriting

James Cameron’s ‘Terminator’ is a true classic, as powerful and influential as films can get

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