Home
ABOUT
Press and testimonials
Blog
Contact
Sponsorship
DONATE
Films and Filmmaking
Filmmaking
Trickle Down Robonomics—The Predatory Capitalism of ‘RoboCop’
NOC NOC: How ‘Mission: Impossible’ Lit the Fuse of Action Stardom Within Tom Cruise
Preparing for the Worst and Hoping for the Best:
Crises, Isolation and Connection in Julia Neuhaus’ Documentary ‘TEOTWAWKI–The End of the World As We Know It’ (2022)
Screenwriting
NOC NOC: How ‘Mission: Impossible’ Lit the Fuse of Action Stardom Within Tom Cruise
The Sheep That Got Found: ‘Man on Fire’
Spike Lee’s ‘25th Hour’: A Masterful Depiction of a Post-9/11 New York City that Explores Regret, Guilt and Uncertainty
Interview
Trickle Down Robonomics—The Predatory Capitalism of ‘RoboCop’
The Sheep That Got Found: ‘Man on Fire’
‘The Killing of a Chinese Bookie’: Turning Entertainment into Personal Statement
Documentary
Trickle Down Robonomics—The Predatory Capitalism of ‘RoboCop’
Preparing for the Worst and Hoping for the Best:
Crises, Isolation and Connection in Julia Neuhaus’ Documentary ‘TEOTWAWKI–The End of the World As We Know It’ (2022)
The Sheep That Got Found: ‘Man on Fire’
Cinematography
Trickle Down Robonomics—The Predatory Capitalism of ‘RoboCop’
NOC NOC: How ‘Mission: Impossible’ Lit the Fuse of Action Stardom Within Tom Cruise
The Sheep That Got Found: ‘Man on Fire’
Editing
‘The Hill’: Sean Connery’s Sisyphean Bond Break-Out
‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
No image
‘I Wish I Knew How to Quit You’: Ang Lee’s Deeply Tragic ‘Brokeback Mountain’ Smolders with Slow-Burning Despair
Short film
‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More
film books
Editing
“There is something of the confession booth to the editing room”
Filmmaking
Jerry Lewis’ Invaluable, Impossibly Rare ‘The Total Filmmaker’
Filmmaking
The Making of Kubrick’s 2001