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Films and Filmmaking
Filmmaking
‘Sicario’—Making America Great Again—Villeneuve’s Beige Border Chronicle of an Unwinnable War Foretold
Defying Gravity: The Cosmic Corn of Christopher Nolan’s ‘Interstellar’
Double Solitaire: The Films of Charles Brackett and Billy Wilder
Screenwriting
‘Sicario’—Making America Great Again—Villeneuve’s Beige Border Chronicle of an Unwinnable War Foretold
Defying Gravity: The Cosmic Corn of Christopher Nolan’s ‘Interstellar’
Double Solitaire: The Films of Charles Brackett and Billy Wilder
Interview
Defying Gravity: The Cosmic Corn of Christopher Nolan’s ‘Interstellar’
‘The Wicker Man’: The True Nature of Sacrifice
Trickle Down Robonomics—The Predatory Capitalism of ‘RoboCop’
Documentary
Defying Gravity: The Cosmic Corn of Christopher Nolan’s ‘Interstellar’
‘The Wicker Man’: The True Nature of Sacrifice
Trickle Down Robonomics—The Predatory Capitalism of ‘RoboCop’
Cinematography
‘Sicario’—Making America Great Again—Villeneuve’s Beige Border Chronicle of an Unwinnable War Foretold
Defying Gravity: The Cosmic Corn of Christopher Nolan’s ‘Interstellar’
‘Mulholland Drive’: David Lynch’s Surrealist Masterpiece Bridges the Gap Between the Conscious and Subconscious Mind
Editing
‘The Hill’: Sean Connery’s Sisyphean Bond Break-Out
‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
No image
‘I Wish I Knew How to Quit You’: Ang Lee’s Deeply Tragic ‘Brokeback Mountain’ Smolders with Slow-Burning Despair
Short film
‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More
film books
Editing
“There is something of the confession booth to the editing room”
Filmmaking
Jerry Lewis’ Invaluable, Impossibly Rare ‘The Total Filmmaker’
Filmmaking
The Making of Kubrick’s 2001