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Films and Filmmaking
Filmmaking
Peter Weir’s ‘Dead Poets Society’: An Awe-Inspiring Celebration of the Human Spirit
‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
‘The Fisher King’: Terry Gilliam’s Touching Film About Grief, Trauma and Hope
Screenwriting
Unveiling Ridley Scott’s Cinematic Grail:
‘The Illustrated Blade Runner’
Peter Weir’s ‘Dead Poets Society’: An Awe-Inspiring Celebration of the Human Spirit
‘The Fisher King’: Terry Gilliam’s Touching Film About Grief, Trauma and Hope
Interview
Unveiling Ridley Scott’s Cinematic Grail:
‘The Illustrated Blade Runner’
Peter Weir’s ‘Dead Poets Society’: An Awe-Inspiring Celebration of the Human Spirit
‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
Documentary
‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
‘The Fisher King’: Terry Gilliam’s Touching Film About Grief, Trauma and Hope
‘The Driver’: Walter Hill Behind the Wheel of a Glorious Experiment
Cinematography
Peter Weir’s ‘Dead Poets Society’: An Awe-Inspiring Celebration of the Human Spirit
‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
‘The Fisher King’: Terry Gilliam’s Touching Film About Grief, Trauma and Hope
Editing
‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
No image
‘I Wish I Knew How to Quit You’: Ang Lee’s Deeply Tragic ‘Brokeback Mountain’ Smolders with Slow-Burning Despair
It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
Short film
‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More
film books
Editing
“There is something of the confession booth to the editing room”
Filmmaking
Jerry Lewis’ Invaluable, Impossibly Rare ‘The Total Filmmaker’
Filmmaking
The Making of Kubrick’s 2001
