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Cinephilia & Beyond -
  • Filmmaking
    • No image
      Neil Marshall’s ‘The Descent’: Humans Are the Scariest Things
    • ‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy
      ‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy
    • Gotham by Elektrisches Licht: Fritz Lang’s ‘Metropolis’
      Gotham by Elektrisches Licht: Fritz Lang’s ‘Metropolis’
  • Screenwriting
    • No image
      Neil Marshall’s ‘The Descent’: Humans Are the Scariest Things
    • ‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy
      ‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy
    • Gotham by Elektrisches Licht: Fritz Lang’s ‘Metropolis’
      Gotham by Elektrisches Licht: Fritz Lang’s ‘Metropolis’
  • Interview
    • Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’
      Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’
    • ‘The Life and Times of Don Luis Buñuel’: The Perfect Window into the Mind of a Groundbreaking Artist
      ‘The Life and Times of Don Luis Buñuel’: The Perfect Window into the Mind of a Groundbreaking Artist
    • How Robert Altman’s Anti-Western Classic ‘McCabe & Mrs. Miller’ Aged Like Fine Wine
      How Robert Altman’s Anti-Western Classic ‘McCabe & Mrs. Miller’ Aged Like Fine Wine
  • Documentary
    • No image
      Neil Marshall’s ‘The Descent’: Humans Are the Scariest Things
    • ‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy
      ‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy
    • Gotham by Elektrisches Licht: Fritz Lang’s ‘Metropolis’
      Gotham by Elektrisches Licht: Fritz Lang’s ‘Metropolis’
  • Cinematography
    • No image
      Neil Marshall’s ‘The Descent’: Humans Are the Scariest Things
    • ‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy
      ‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy
    • Gotham by Elektrisches Licht: Fritz Lang’s ‘Metropolis’
      Gotham by Elektrisches Licht: Fritz Lang’s ‘Metropolis’
  • Editing
    • No image
      Neil Marshall’s ‘The Descent’: Humans Are the Scariest Things
    • Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’
      Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’
    • 40 Years of Hurt, Face-Hugging Dreams of Breathing: Ridley Scott’s ‘Alien’
      40 Years of Hurt, Face-Hugging Dreams of Breathing: Ridley Scott’s ‘Alien’
  • Short film
    • ‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
      ‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
    • ‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
      ‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
    • ‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More
      ‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More

Dustin Hoffman

Cinematography, Filmmaking, Interview, Screenwriting, Screenwriting 101

How John Schlesinger’s Homeless and Lonesome ‘Midnight Cowboy’ Rode His Way to the Top and Became the First and Only X-rated Movie to Win a Best Picture Oscar

Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101

‘All the President’s Men’: Following the Money to Become One of the Most Remarkable American Films to Date

Cinematography, Documentary, Editing, Filmmaking, Interview, Screenwriting 101

‘The Graduate’: Mike Nichols’ Sophomore Effort that Shook the United States

Documentary, Filmmaking, Interview, Screenwriting

‘Straw Dogs’: Peckinpah’s Most Controversial Blade Hasn’t Lost Any of Its Sharpness Over the Years

Cinematography, Documentary, Filmmaking, Screenwriting

The day an X-rated walk on the dark side called ‘Midnight Cowboy’ won the Oscar for best picture, a new generation came to power in Hollywood

Filmmaking, Interview, Screenwriting, Screenwriting 101

John Schlesinger’s ‘Marathon Man’ is a remarkable film on all levels

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