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Cinephilia & Beyond -
  • Filmmaking
    • “I’ll Be Bond”: Arnold Schwarzenegger and James Cameron’s Everything or Nothing Shot at the James Bond Title
      “I’ll Be Bond”: Arnold Schwarzenegger and James Cameron’s Everything or Nothing Shot at the James Bond Title
    • How ‘Once Upon a Time in America’ Became Sergio Leone’s Butchered Swan Song
      How ‘Once Upon a Time in America’ Became Sergio Leone’s Butchered Swan Song
    • Hitchcock’s ‘Vertigo’: The Unrelenting Male Gaze that Blurs the Lines Between Possession and Obsession
      Hitchcock’s ‘Vertigo’: The Unrelenting Male Gaze that Blurs the Lines Between Possession and Obsession
  • Screenwriting
    • “I’ll Be Bond”: Arnold Schwarzenegger and James Cameron’s Everything or Nothing Shot at the James Bond Title
      “I’ll Be Bond”: Arnold Schwarzenegger and James Cameron’s Everything or Nothing Shot at the James Bond Title
    • Hitchcock’s ‘Vertigo’: The Unrelenting Male Gaze that Blurs the Lines Between Possession and Obsession
      Hitchcock’s ‘Vertigo’: The Unrelenting Male Gaze that Blurs the Lines Between Possession and Obsession
    • Paradise Lost: How Martin Scorsese’s ‘Casino’ Charts the Rise and Fall of a Criminal Empire
      Paradise Lost: How Martin Scorsese’s ‘Casino’ Charts the Rise and Fall of a Criminal Empire
  • Interview
    • How ‘Once Upon a Time in America’ Became Sergio Leone’s Butchered Swan Song
      How ‘Once Upon a Time in America’ Became Sergio Leone’s Butchered Swan Song
    • ‘Point Blank’: John Boorman’s Amalgamation of American, British and French Filmmaking Styles
      ‘Point Blank’: John Boorman’s Amalgamation of American, British and French Filmmaking Styles
    • Paradise Lost: How Martin Scorsese’s ‘Casino’ Charts the Rise and Fall of a Criminal Empire
      Paradise Lost: How Martin Scorsese’s ‘Casino’ Charts the Rise and Fall of a Criminal Empire
  • Documentary
    • “I’ll Be Bond”: Arnold Schwarzenegger and James Cameron’s Everything or Nothing Shot at the James Bond Title
      “I’ll Be Bond”: Arnold Schwarzenegger and James Cameron’s Everything or Nothing Shot at the James Bond Title
    • How ‘Once Upon a Time in America’ Became Sergio Leone’s Butchered Swan Song
      How ‘Once Upon a Time in America’ Became Sergio Leone’s Butchered Swan Song
    • Hitchcock’s ‘Vertigo’: The Unrelenting Male Gaze that Blurs the Lines Between Possession and Obsession
      Hitchcock’s ‘Vertigo’: The Unrelenting Male Gaze that Blurs the Lines Between Possession and Obsession
  • Cinematography
    • “I’ll Be Bond”: Arnold Schwarzenegger and James Cameron’s Everything or Nothing Shot at the James Bond Title
      “I’ll Be Bond”: Arnold Schwarzenegger and James Cameron’s Everything or Nothing Shot at the James Bond Title
    • How ‘Once Upon a Time in America’ Became Sergio Leone’s Butchered Swan Song
      How ‘Once Upon a Time in America’ Became Sergio Leone’s Butchered Swan Song
    • Hitchcock’s ‘Vertigo’: The Unrelenting Male Gaze that Blurs the Lines Between Possession and Obsession
      Hitchcock’s ‘Vertigo’: The Unrelenting Male Gaze that Blurs the Lines Between Possession and Obsession
  • Editing
    • ‘The Last Temptation of Christ’ As a Testament to and an Exploration of Scorsese’s Own Faith
      ‘The Last Temptation of Christ’ As a Testament to and an Exploration of Scorsese’s Own Faith
    • 40 Years of Hurt, Face-Hugging Dreams of Breathing: Ridley Scott’s ‘Alien’
      40 Years of Hurt, Face-Hugging Dreams of Breathing: Ridley Scott’s ‘Alien’
    • ‘JFK’: Oliver Stone’s Emotionally Accurate and Masterfully Crafted Trip Down the Rabbit Hole
      ‘JFK’: Oliver Stone’s Emotionally Accurate and Masterfully Crafted Trip Down the Rabbit Hole
  • Short film
    • ‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
      ‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
    • ‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
      ‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
    • ‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More
      ‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More

David Webb Peoples

Cinematography, Filmmaking, Interview, Screenwriting 101

‘Unforgiven’: Clint Eastwood’s Eulogy for the Man with No Name in His Anti-Western Masterpiece

Two years after Kevin Costner’s Dances With Wolves became only the second Western ever to win the Best Picture Academy…

Latest Posts

  • “I’ll Be Bond”: Arnold Schwarzenegger and James Cameron’s Everything or Nothing Shot at the James Bond Title
  • How ‘Once Upon a Time in America’ Became Sergio Leone’s Butchered Swan Song

Short of the Month

  • ‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
  • ‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
  • ‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More
  • ‘Hi-Glow Retro’: Alex Morsanutto’s Bullet-Proof Ticket to Feature Filmmaking
  • ‘Time and Again’: The Importance of Family in Aidan Largey’s Nostalgic Time Travel Flick
  • ‘Remote’: Marc Roussel’s Highly Suspenseful Mixture of Time Travel and Home Invasion

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