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Cinephilia & Beyond - Films and Filmmaking Films and Filmmaking
  • Filmmaking
    • Preparing for the Worst and Hoping for the Best:<br> Crises, Isolation and Connection in Julia Neuhaus’ Documentary ‘TEOTWAWKI–The End of the World As We Know It’ (2022)
      Preparing for the Worst and Hoping for the Best:
      Crises, Isolation and Connection in Julia Neuhaus’ Documentary ‘TEOTWAWKI–The End of the World As We Know It’ (2022)
    • The Sheep That Got Found: ‘Man on Fire’
      The Sheep That Got Found: ‘Man on Fire’
    • ‘The Killing of a Chinese Bookie’: Turning Entertainment into Personal Statement
      ‘The Killing of a Chinese Bookie’: Turning Entertainment into Personal Statement
  • Screenwriting
    • The Sheep That Got Found: ‘Man on Fire’
      The Sheep That Got Found: ‘Man on Fire’
    • Spike Lee’s ‘25th Hour’: A Masterful Depiction of a Post-9/11 New York City that Explores Regret, Guilt and Uncertainty
      Spike Lee’s ‘25th Hour’: A Masterful Depiction of a Post-9/11 New York City that Explores Regret, Guilt and Uncertainty
    • We Can Mis-Remember it 80s-Style: ‘Total Recall’ (1990) Was the Last Gasp 80s Ultraviolent Action Extravaganza for a New Decade
      We Can Mis-Remember it 80s-Style: ‘Total Recall’ (1990) Was the Last Gasp 80s Ultraviolent Action Extravaganza for a New Decade
  • Interview
    • The Sheep That Got Found: ‘Man on Fire’
      The Sheep That Got Found: ‘Man on Fire’
    • ‘The Killing of a Chinese Bookie’: Turning Entertainment into Personal Statement
      ‘The Killing of a Chinese Bookie’: Turning Entertainment into Personal Statement
    • Spike Lee’s ‘25th Hour’: A Masterful Depiction of a Post-9/11 New York City that Explores Regret, Guilt and Uncertainty
      Spike Lee’s ‘25th Hour’: A Masterful Depiction of a Post-9/11 New York City that Explores Regret, Guilt and Uncertainty
  • Documentary
    • Preparing for the Worst and Hoping for the Best:<br> Crises, Isolation and Connection in Julia Neuhaus’ Documentary ‘TEOTWAWKI–The End of the World As We Know It’ (2022)
      Preparing for the Worst and Hoping for the Best:
      Crises, Isolation and Connection in Julia Neuhaus’ Documentary ‘TEOTWAWKI–The End of the World As We Know It’ (2022)
    • The Sheep That Got Found: ‘Man on Fire’
      The Sheep That Got Found: ‘Man on Fire’
    • ‘The Killing of a Chinese Bookie’: Turning Entertainment into Personal Statement
      ‘The Killing of a Chinese Bookie’: Turning Entertainment into Personal Statement
  • Cinematography
    • The Sheep That Got Found: ‘Man on Fire’
      The Sheep That Got Found: ‘Man on Fire’
    • ‘The Killing of a Chinese Bookie’: Turning Entertainment into Personal Statement
      ‘The Killing of a Chinese Bookie’: Turning Entertainment into Personal Statement
    • Spike Lee’s ‘25th Hour’: A Masterful Depiction of a Post-9/11 New York City that Explores Regret, Guilt and Uncertainty
      Spike Lee’s ‘25th Hour’: A Masterful Depiction of a Post-9/11 New York City that Explores Regret, Guilt and Uncertainty
  • Editing
    • ‘The Hill’: Sean Connery’s Sisyphean Bond Break-Out
      ‘The Hill’: Sean Connery’s Sisyphean Bond Break-Out
    • ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
      ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
    • No image
      ‘I Wish I Knew How to Quit You’: Ang Lee’s Deeply Tragic ‘Brokeback Mountain’ Smolders with Slow-Burning Despair
  • Short film
    • ‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
      ‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
    • ‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
      ‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
    • ‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More
      ‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More

David Fincher

Fincher’s ‘Zodiac’: A Suspenseful and Thrilling Combination of Police Procedural and Newspaper Film That Masterfully Chronicles the Progression of Obsession
Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101

Fincher’s ‘Zodiac’: A Suspenseful and Thrilling Combination of Police Procedural and Newspaper Film That Masterfully Chronicles the Progression of Obsession

From Facebook to ‘Fuck-You Flip-Flops’: How Aaron Sorkin and David Fincher Made ‘The Social Network’ a Fiery Word-Off
Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101

From Facebook to ‘Fuck-You Flip-Flops’: How Aaron Sorkin and David Fincher Made ‘The Social Network’ a Fiery Word-Off

Downwards Is the Only Way Forwards: Welcome to David Fincher’s ‘The Game’
Cinematography, Filmmaking, Interview, Screenwriting 101

Downwards Is the Only Way Forwards: Welcome to David Fincher’s ‘The Game’

‘Fight Club’: David Fincher’s Stylish Exploration of Modern-Day Man’s Estrangement and Disillusionment
Cinematography, Filmmaking, Interview, Screenwriting 101

‘Fight Club’: David Fincher’s Stylish Exploration of Modern-Day Man’s Estrangement and Disillusionment

‘Se7en’: A Rain-Drenched, Somber, Gut-Wrenching Thriller that Restored David Fincher’s Faith in Filmmaking
Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101

‘Se7en’: A Rain-Drenched, Somber, Gut-Wrenching Thriller that Restored David Fincher’s Faith in Filmmaking

Cinematography, Documentary, Editing, Filmmaking, Interview, Screenwriting 101

Fincher’s ‘Zodiac’ As Easily One Of The Best Thrillers Of The Millennium So Far

Filmmaking

What does David Fincher not do?

Cinematography, Documentary, Filmmaking, Interview

“Take all of the responsibility, because you’re going to get all of the blame”

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