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Cinephilia & Beyond - Films and Filmmaking Films and Filmmaking
  • Filmmaking
    • Peter Weir’s ‘Dead Poets Society’: An Awe-Inspiring Celebration of the Human Spirit
      Peter Weir’s ‘Dead Poets Society’: An Awe-Inspiring Celebration of the Human Spirit
    • ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
      ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
    • ‘The Fisher King’: Terry Gilliam’s Touching Film About Grief, Trauma and Hope
      ‘The Fisher King’: Terry Gilliam’s Touching Film About Grief, Trauma and Hope
  • Screenwriting
    • Unveiling Ridley Scott’s Cinematic Grail:<br> ‘The Illustrated Blade Runner’
      Unveiling Ridley Scott’s Cinematic Grail:
      ‘The Illustrated Blade Runner’
    • Peter Weir’s ‘Dead Poets Society’: An Awe-Inspiring Celebration of the Human Spirit
      Peter Weir’s ‘Dead Poets Society’: An Awe-Inspiring Celebration of the Human Spirit
    • ‘The Fisher King’: Terry Gilliam’s Touching Film About Grief, Trauma and Hope
      ‘The Fisher King’: Terry Gilliam’s Touching Film About Grief, Trauma and Hope
  • Interview
    • Unveiling Ridley Scott’s Cinematic Grail:<br> ‘The Illustrated Blade Runner’
      Unveiling Ridley Scott’s Cinematic Grail:
      ‘The Illustrated Blade Runner’
    • Peter Weir’s ‘Dead Poets Society’: An Awe-Inspiring Celebration of the Human Spirit
      Peter Weir’s ‘Dead Poets Society’: An Awe-Inspiring Celebration of the Human Spirit
    • ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
      ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
  • Documentary
    • ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
      ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
    • ‘The Fisher King’: Terry Gilliam’s Touching Film About Grief, Trauma and Hope
      ‘The Fisher King’: Terry Gilliam’s Touching Film About Grief, Trauma and Hope
    • ‘The Driver’: Walter Hill Behind the Wheel of a Glorious Experiment
      ‘The Driver’: Walter Hill Behind the Wheel of a Glorious Experiment
  • Cinematography
    • Peter Weir’s ‘Dead Poets Society’: An Awe-Inspiring Celebration of the Human Spirit
      Peter Weir’s ‘Dead Poets Society’: An Awe-Inspiring Celebration of the Human Spirit
    • ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
      ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
    • ‘The Fisher King’: Terry Gilliam’s Touching Film About Grief, Trauma and Hope
      ‘The Fisher King’: Terry Gilliam’s Touching Film About Grief, Trauma and Hope
  • Editing
    • ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
      ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
    • No image
      ‘I Wish I Knew How to Quit You’: Ang Lee’s Deeply Tragic ‘Brokeback Mountain’ Smolders with Slow-Burning Despair
    • It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
      It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
  • Short film
    • ‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
      ‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
    • ‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
      ‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
    • ‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More
      ‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More

Chivo

‘Children of Men’: Alfonso Cuarón’s Bleak but Genius Vision of the Past, Present and the Future
Cinematography, Filmmaking, Interview, Screenwriting 101

‘Children of Men’: Alfonso Cuarón’s Bleak but Genius Vision of the Past, Present and the Future

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