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Cinephilia & Beyond -
  • Filmmaking
    • Martin Scorsese’s Encounter with Kafka During ‘After Hours’
      Martin Scorsese’s Encounter with Kafka During ‘After Hours’
    • ‘I Am Insane, and You Are My Insanity’: The Captivating World of Terry Gilliam’s ’12 Monkeys’
      ‘I Am Insane, and You Are My Insanity’: The Captivating World of Terry Gilliam’s ’12 Monkeys’
    • No image
      The Artistic Triumph of Sir Alan Parker’s Still Beating ‘Angel Heart’
  • Screenwriting
    • Martin Scorsese’s Encounter with Kafka During ‘After Hours’
      Martin Scorsese’s Encounter with Kafka During ‘After Hours’
    • ‘I Am Insane, and You Are My Insanity’: The Captivating World of Terry Gilliam’s ’12 Monkeys’
      ‘I Am Insane, and You Are My Insanity’: The Captivating World of Terry Gilliam’s ’12 Monkeys’
    • No image
      The Artistic Triumph of Sir Alan Parker’s Still Beating ‘Angel Heart’
  • Interview
    • Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’
      Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’
    • ‘The Life and Times of Don Luis Buñuel’: The Perfect Window into the Mind of a Groundbreaking Artist
      ‘The Life and Times of Don Luis Buñuel’: The Perfect Window into the Mind of a Groundbreaking Artist
    • How Robert Altman’s Anti-Western Classic ‘McCabe & Mrs. Miller’ Aged Like Fine Wine
      How Robert Altman’s Anti-Western Classic ‘McCabe & Mrs. Miller’ Aged Like Fine Wine
  • Documentary
    • Martin Scorsese’s Encounter with Kafka During ‘After Hours’
      Martin Scorsese’s Encounter with Kafka During ‘After Hours’
    • ‘I Am Insane, and You Are My Insanity’: The Captivating World of Terry Gilliam’s ’12 Monkeys’
      ‘I Am Insane, and You Are My Insanity’: The Captivating World of Terry Gilliam’s ’12 Monkeys’
    • No image
      The Artistic Triumph of Sir Alan Parker’s Still Beating ‘Angel Heart’
  • Cinematography
    • Martin Scorsese’s Encounter with Kafka During ‘After Hours’
      Martin Scorsese’s Encounter with Kafka During ‘After Hours’
    • ‘I Am Insane, and You Are My Insanity’: The Captivating World of Terry Gilliam’s ’12 Monkeys’
      ‘I Am Insane, and You Are My Insanity’: The Captivating World of Terry Gilliam’s ’12 Monkeys’
    • No image
      The Artistic Triumph of Sir Alan Parker’s Still Beating ‘Angel Heart’
  • Editing
    • Scorsese’s Sexless Period Drama ‘The Age of Innocence’ as a Visceral Depiction of Emotional Starvation and Internalized Violence
      Scorsese’s Sexless Period Drama ‘The Age of Innocence’ as a Visceral Depiction of Emotional Starvation and Internalized Violence
    • No image
      Neil Marshall’s ‘The Descent’: Humans Are the Scariest Things
    • Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’
      Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’
  • Short film
    • ‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
      ‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
    • ‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
      ‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
    • ‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More
      ‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More

Al Pacino

Cinematography, Filmmaking, Reviews, Screenwriting, Screenwriting 101

And Unto Dust We Shall Return: On Martin Scorsese’s ‘The Irishman’

The Greater the Truth, the Greater the Damage: ‘The Insider,’ Michael Mann’s White-Collar Thrill Ride of Corporate Malfeasance
Cinematography, Filmmaking, Interview, Screenwriting 101

The Greater the Truth, the Greater the Damage: ‘The Insider,’ Michael Mann’s White-Collar Thrill Ride of Corporate Malfeasance

‘Heat’ at 25: Michael Mann’s Meticulous Masterpiece of Both Style and Substance That Transcends Genre
Cinematography, Documentary, Editing, Filmmaking, Interview, Screenwriting 101

‘Heat’ at 25: Michael Mann’s Meticulous Masterpiece of Both Style and Substance That Transcends Genre

Cinematography, Documentary, Editing, Filmmaking, Interview, Screenwriting 101

Sidney Lumet’s ‘Serpico’: One Honest Man’s Struggle Against the System

Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101

Michael Mann’s ‘Heat’: A Complex, Stylistically Supreme Candidate for One of the Most Impressive Films of the Nineties

‘The Godfather’: A Historical Curiosity that Proved Instrumental for Our Filmmaking Education and Appreciation
Cinematography, Documentary, Filmmaking, Screenwriting 101

‘The Godfather’: A Historical Curiosity that Proved Instrumental for Our Filmmaking Education and Appreciation

Documentary, Editing, Filmmaking, Interview, Screenwriting 101

Sidney Lumet’s ‘Dog Day Afternoon’ is most likely the one film in the director’s rich career that stayed with us the most

Documentary, Filmmaking, Screenwriting 101

Michael Mann’s ‘The Insider’ unflinchingly stands as significant as ever

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