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Cinephilia & Beyond -
  • Filmmaking
    • An Agency of Chaos: Christopher Nolan’s ‘The Dark Knight’
      An Agency of Chaos: Christopher Nolan’s ‘The Dark Knight’
    • Scorsese On the Ropes: The ‘Kamikaze’ Film-Making of ‘Raging Bull’
      Scorsese On the Ropes: The ‘Kamikaze’ Film-Making of ‘Raging Bull’
    • Gang Wars, the Prohibition Menace: Brian De Palma’s ‘The Untouchables’
      Gang Wars, the Prohibition Menace: Brian De Palma’s ‘The Untouchables’
  • Screenwriting
    • ‘Atlantic City’: Malle’s Nostalgic Juxtaposition of Deterioration and Renewal
      ‘Atlantic City’: Malle’s Nostalgic Juxtaposition of Deterioration and Renewal
    • Paul Thomas Anderson’s ‘Hard Eight’, AKA ‘Sydney’: “It’s Always Good to Meet a New Friend”
      Paul Thomas Anderson’s ‘Hard Eight’, AKA ‘Sydney’: “It’s Always Good to Meet a New Friend”
    • Empire’s End: John Huston’s ‘The Man Who Would Be King’
      Empire’s End: John Huston’s ‘The Man Who Would Be King’
  • Interview
    • Scorsese On the Ropes: The ‘Kamikaze’ Film-Making of ‘Raging Bull’
      Scorsese On the Ropes: The ‘Kamikaze’ Film-Making of ‘Raging Bull’
    • ‘Atlantic City’: Malle’s Nostalgic Juxtaposition of Deterioration and Renewal
      ‘Atlantic City’: Malle’s Nostalgic Juxtaposition of Deterioration and Renewal
    • Take It to the Limit One More Time: Michael Mann’s ‘Miami Vice’
      Take It to the Limit One More Time: Michael Mann’s ‘Miami Vice’
  • Documentary
    • An Agency of Chaos: Christopher Nolan’s ‘The Dark Knight’
      An Agency of Chaos: Christopher Nolan’s ‘The Dark Knight’
    • Gang Wars, the Prohibition Menace: Brian De Palma’s ‘The Untouchables’
      Gang Wars, the Prohibition Menace: Brian De Palma’s ‘The Untouchables’
    • ‘Goodfellas’: Martin Scorsese’s Anthropological Goodlife Through a Lens
      ‘Goodfellas’: Martin Scorsese’s Anthropological Goodlife Through a Lens
  • Cinematography
    • An Agency of Chaos: Christopher Nolan’s ‘The Dark Knight’
      An Agency of Chaos: Christopher Nolan’s ‘The Dark Knight’
    • Scorsese On the Ropes: The ‘Kamikaze’ Film-Making of ‘Raging Bull’
      Scorsese On the Ropes: The ‘Kamikaze’ Film-Making of ‘Raging Bull’
    • Gang Wars, the Prohibition Menace: Brian De Palma’s ‘The Untouchables’
      Gang Wars, the Prohibition Menace: Brian De Palma’s ‘The Untouchables’
  • Editing
    • ‘Magnolia’: Paul Thomas Anderson’s Absorbing Mosaic of Compassion, Humanity and the Importance of Forgiveness
      ‘Magnolia’: Paul Thomas Anderson’s Absorbing Mosaic of Compassion, Humanity and the Importance of Forgiveness
    • Steven Soderbergh’s ‘Out of Sight’: An Achronological Time-Out from Conventional Crime Narrative
      Steven Soderbergh’s ‘Out of Sight’: An Achronological Time-Out from Conventional Crime Narrative
    • Approaching Menace: The American Pathology of Martin Scorsese’s ‘Taxi Driver’
      Approaching Menace: The American Pathology of Martin Scorsese’s ‘Taxi Driver’
  • Short film
    • ‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
      ‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
    • ‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
      ‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
    • ‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More
      ‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More

Editing

Editing

Thelma Schoonmaker Breaks Down ‘Raging Bull’

It’s said that a movie is made three times: once through a script, once on set, and finally in the edit room. Join Tribeca Talks…

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Latest Posts

  • An Agency of Chaos: Christopher Nolan’s ‘The Dark Knight’
  • Scorsese On the Ropes: The ‘Kamikaze’ Film-Making of ‘Raging Bull’

Short of the Month

  • ‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
  • ‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
  • ‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More
  • ‘Hi-Glow Retro’: Alex Morsanutto’s Bullet-Proof Ticket to Feature Filmmaking
  • ‘Time and Again’: The Importance of Family in Aidan Largey’s Nostalgic Time Travel Flick
  • ‘Remote’: Marc Roussel’s Highly Suspenseful Mixture of Time Travel and Home Invasion

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