Editing
Nicolas Roeg’s ‘Don’t Look Now’ is a special kind of a supernatural thriller that aptly deals with subjects far from supernatural
Sidney Lumet’s ‘Dog Day Afternoon’ is most likely the one film in the director’s rich career that stayed with us the most
Ingmar Bergman Makes a Movie
Andrei Tarkovsky: The essential documentaries on the Russian Master
Provocative, pensive and splendidly acted, Hitchcock’s ‘Rope’ is a heck of a film
Roman Polanski’s ‘Chinatown’ is one of the most impressive works of the period, an amazing experience from all angles
Arthur Penn’s ‘Night Moves’ demands, and deserves, multiple viewings, and every single one of them is equally rewarding
In the times before the idea of the Internet was conceived, film magazines proved an invaluable source of filmmaking knowledge
