Editing

Cinematography, Documentary, Editing, Filmmaking, Screenwriting 101

With ‘Barry Lyndon,’ Stanley Kubrick’s Painterly Eye Invites Us to Be All-seeing, but Ultimately, Unknowing

Cinematography, Documentary, Editing, Filmmaking, Interview, Screenwriting 101

‘Magnolia’: Paul Thomas Anderson’s Absorbing Mosaic of Compassion, Humanity and the Importance of Forgiveness

Cinematography, Editing, Filmmaking, Interview, Screenwriting 101

‘The Last Temptation of Christ’ As a Testament to and an Exploration of Scorsese’s Own Faith

Cinematography, Editing, Filmmaking, Screenwriting 101

Steven Soderbergh’s ‘Out of Sight’: An Achronological Time-Out from Conventional Crime Narrative

Cinematography, Editing, Filmmaking, Interview

Limitation of Life: You Can’t Go Back in John Frankenheimer’s ‘Seconds’

Cinematography, Editing, Filmmaking

Spies Like Us: Harry Palmer, the Everyday Hero of ‘The Ipcress File’

Editing, Filmmaking, Interview

Paul Hirsch on ‘Star Wars’: Thinking We Were Making a Film for Kids, We Made a Film for the Kid in All of Us

Cinematography, Documentary, Editing, Filmmaking, Interview, Screenwriting 101

‘Jaws’: The Groundbreaking Summer Blockbuster that Changed Hollywood, and Our Summer Vacations, Forever

Cinematography, Documentary, Editing, Filmmaking, Interview, Screenwriting 101

Ridley Scott’s ‘Blade Runner’: A Game-Changing Science-Fiction Classic

Cinematography, Editing, Filmmaking, Interview, Screenwriting 101

“Bide Your Time and Everything Becomes Clear”: The Construction of Memory in Soderbergh’s ‘The Limey’

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