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Films and Filmmaking
Filmmaking
Peter Weir’s ‘Dead Poets Society’: An Awe-Inspiring Celebration of the Human Spirit
‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
‘The Fisher King’: Terry Gilliam’s Touching Film About Grief, Trauma and Hope
Screenwriting
Unveiling Ridley Scott’s Cinematic Grail:
‘The Illustrated Blade Runner’
Peter Weir’s ‘Dead Poets Society’: An Awe-Inspiring Celebration of the Human Spirit
‘The Fisher King’: Terry Gilliam’s Touching Film About Grief, Trauma and Hope
Interview
Unveiling Ridley Scott’s Cinematic Grail:
‘The Illustrated Blade Runner’
Peter Weir’s ‘Dead Poets Society’: An Awe-Inspiring Celebration of the Human Spirit
‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
Documentary
‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
‘The Fisher King’: Terry Gilliam’s Touching Film About Grief, Trauma and Hope
‘The Driver’: Walter Hill Behind the Wheel of a Glorious Experiment
Cinematography
Peter Weir’s ‘Dead Poets Society’: An Awe-Inspiring Celebration of the Human Spirit
‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
‘The Fisher King’: Terry Gilliam’s Touching Film About Grief, Trauma and Hope
Editing
‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
No image
‘I Wish I Knew How to Quit You’: Ang Lee’s Deeply Tragic ‘Brokeback Mountain’ Smolders with Slow-Burning Despair
It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
Short film
‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More
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